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Tag: play revival

February 1, 2026February 1, 2026 ross

Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching

January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts

January 4, 2026January 4, 2026 ross

Menier’s “Fallen Angels”: Champagne, Jealousy, and Noël Coward at Full Fizz

December 5, 2025December 5, 2025 ross

The Revival of Miller’s Death of a Salesman, and the Numerous Concerns Attached

November 17, 2025November 16, 2025 ross

“Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning

August 21, 2025August 21, 2025 ross

The Shaw Festival’s Four-Play Wonderland: A Heart-Pounding, Mind-Expanding August Adventure

October 21, 2024October 21, 2024 ross

Lonergan’s “Hold On To Me, Darling” Hugs Naively Tight but Leaves Me Wanting More

June 2, 2024June 2, 2024 ross

Ibsen’s “Hedda Gabler” and Shakespeare’s “Cymbeline”: Illuminated Majestically at the Stratford Festival 2024

April 1, 2024April 1, 2024 ross

A John Patrick Shanley Double Bill: “Doubt” at RTC on Broadway & “Brooklyn Laundry” at MTC Off-Broadway

April 27, 2023June 2, 2023 ross

“God of Carnage” Too Simply De-evolves into Chaos Superficially

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Recent Posts

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  • Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching February 1, 2026
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  • Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching January 28, 2026
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  • Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story” January 26, 2026
  • Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House” January 25, 2026
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  • When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering January 23, 2026
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  • Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London January 22, 2026
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  • Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap” January 19, 2026
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  • Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts January 7, 2026
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  • Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025 December 28, 2025
  • Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie” December 27, 2025
  • “You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles” December 26, 2025
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  • “Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries” December 24, 2025
  • “Every Brilliant Thing”: The Radcliffe Return to Broadway December 23, 2025
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  • When the Past Outshines the Future: “This World of Tomorrow” at The Shed December 21, 2025
  • Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored December 20, 2025
  • Crowned and Caged: “Richard II” as Erotic Reckoning December 20, 2025
  • “Amadeus” Ignites California’s Pasadena Playhouse December 19, 2025

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