December 5, 2025December 5, 2025 ross

The Revival of Miller’s Death of a Salesman, and the Numerous Concerns Attached

November 17, 2025November 16, 2025 ross

“Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning

August 21, 2025August 21, 2025 ross

The Shaw Festival’s Four-Play Wonderland: A Heart-Pounding, Mind-Expanding August Adventure

October 21, 2024October 21, 2024 ross

Lonergan’s “Hold On To Me, Darling” Hugs Naively Tight but Leaves Me Wanting More

June 2, 2024June 2, 2024 ross

Ibsen’s “Hedda Gabler” and Shakespeare’s “Cymbeline”: Illuminated Majestically at the Stratford Festival 2024

April 1, 2024April 1, 2024 ross

A John Patrick Shanley Double Bill: “Doubt” at RTC on Broadway & “Brooklyn Laundry” at MTC Off-Broadway

April 27, 2023June 2, 2023 ross

“God of Carnage” Too Simply De-evolves into Chaos Superficially

March 26, 2023March 26, 2023 ross

Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof

January 6, 2023January 6, 2023 ross

West End’s Great Play, Good

November 15, 2022November 15, 2022 ross

Public Theater’s Dynamic A Raisin in the Sun Demolishes the Happy Ending