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March 13, 2026March 13, 2026 ross

A Warrior in the Twilight: Judith Thompson’s “Queen Maeve” Faces the Wolves

March 12, 2026March 12, 2026 ross

Happily Playing That Record Again: “The Drowsy Chaperone” Returns Home at Theatre Passe Muraille

March 8, 2026 ross

Strings Attached: Ronnie Burkett’s “Little Willy” Celebrates the Joy of Daisy Theatre

March 5, 2026 ross

London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts

February 19, 2026February 19, 2026 ross

Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances

January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts

December 22, 2025December 22, 2025 ross

The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife”

December 20, 2025December 20, 2025 ross

Crowned and Caged: “Richard II” as Erotic Reckoning

December 7, 2025December 11, 2025 ross

More Pies, Please: A Deliciously Dark “Sweeney Todd” by Horrorshow Productions Thrills at the Alumnae

December 1, 2025December 1, 2025 ross

“Robin Hood: A Very Merry Family Musical”: A Festive Night of Jokes and Jubilant Mischief at the Elgin Winter Garden

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Recent Posts

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  • Living Between the Lines – The Interview March 16, 2026
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  • Before the Envelope Opens: My (Very Humble) Predictions for the 98th Academy Awards March 14, 2026
  • A Warrior in the Twilight: Judith Thompson’s “Queen Maeve” Faces the Wolves March 13, 2026
  • Happily Playing That Record Again: “The Drowsy Chaperone” Returns Home at Theatre Passe Muraille March 12, 2026
  • “Giant” Begins Previews on Broadway With John Lithgow’s Commanding Return March 11, 2026
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  • Fire Burns Beneath the Angel: “Summer and Smoke” at Crow’s Theatre March 9, 2026
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  • Strings Attached: Ronnie Burkett’s “Little Willy” Celebrates the Joy of Daisy Theatre March 8, 2026
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  • Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances February 19, 2026
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