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June 14, 2023June 14, 2023 ross

Broadway’s “Grey House” Creaks and Compels

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Second Stage’s Six Shades of Mary Page Marlowe

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  • Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond December 18, 2025
  • Checkmate by Vocal Firepower: Broadway’s “Chess” Blows the Roof Off Broadway December 17, 2025
  • The Captivating “Little Bear Ridge Road” Will Close Early on Broadway — A Quiet Loss for the Season December 16, 2025
  • “Titanique” Is Officially Docking on Broadway — And I’m Thrilled, Nervous, and So Ready for It December 15, 2025
  • Marla Mindelle and Josh Sharp Channel Nicole Kidman and Cate Blanchett in “A Kidman Carol” – and Bah Humbug, I’m Gonna Miss It! December 15, 2025
  • The Return and Reconstruction of “Marjorie Prime” December 14, 2025
  • “Rogers v. Rogers” at Crow’s Theatre: A Corporate Tragedy Told with Wit, Bite, and an Uneasy Kind of Catharsis December 13, 2025
  • FX’s “A Christmas Carol”, The Past That Shapes Us, the Present That Breaks Us, the Future That Saves Us December 12, 2025
  • Sherlock Returns to Westport: A Holiday Mystery Reopened December 11, 2025
  • A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing December 10, 2025
  • Golden Globe Morning: Cinema, Stages, TIFF, and the Strange Joy of Awards Season December 9, 2025
  • Something Like a Dream: Bad Hats’ “Narnia” Shines Brighter than Bright at Soulpepper December 8, 2025
  • More Pies, Please: A Deliciously Dark “Sweeney Todd” by Horrorshow Productions Thrills at the Alumnae December 7, 2025
  • A Quaint and Curious Night of Horror at Radiotheatre’s 15th Annual Edgar Allan Poe Festival December 6, 2025
  • The Revival of Miller’s Death of a Salesman, and the Numerous Concerns Attached December 5, 2025
  • Cookie Contests, Small-Town Love, and Christmas Chaos at The Royal with “The Unauthorized Hallmark(ish) Parody Musical!” December 5, 2025
  • Inside the Factory Theatre Machine: “Public Consumption” and the Unnerving Art of Moderating the Obscene December 4, 2025
  • “Bijuriya” at Buddies: A Thrilling Mix of Drag, Culture, and Self-Talk ReInvention December 3, 2025
  • A Season Worth Leaning In For: Here For Now Announces an Ambitious 2026 Lineup December 3, 2025
  • Impossible Choices: The Brutal Beauty of MTC’s “Queens” December 2, 2025
  • “Robin Hood: A Very Merry Family Musical”: A Festive Night of Jokes and Jubilant Mischief at the Elgin Winter Garden December 1, 2025
  • “The History of Sound” Lives in the Echo and Vibrations That Remain November 30, 2025
  • Adrift Between Storms: “Moonlight Schooner” Sails in Search of Deeper Waters November 29, 2025
  • A Tender, Bruising, yet Brilliant Ride Down “Little Bear Ridge Road” on Broadway November 28, 2025
  • When the Snow Falls Twice: Returning to “Disney’s Frozen” at the Grand Theatre November 27, 2025
  • “The Jinkx & DeLa Holiday Show”: Candy Canes and Chaos Reign Supreme November 27, 2025
  • The Phenomenal “Hamnet” Opens on the Big Screen this Thanksgiving November 26, 2025
  • Public Theater’s “The Seat of Our Pants”: A Wilder Miracle of Musical Mayhem as the World Ends, Again November 26, 2025
  • “Irving Berlin’s White Christmas” Delivers Holiday Warmth and Classic Charm at the Shaw Festival, Canada November 25, 2025
  • Coal Mine Theatre’s “Fulfillment Centre”: Drifting in a Desert of Dynamic Disappointment November 24, 2025
  • debbie tucker green’s “a profoundly affectionate, passionate devotion to someone (-noun)” Arrives Unflinching at Tarragon’s Mainspace . November 23, 2025
  • “An Orchid and Other Such Lilies and Lies”: Where Fear, Loathing, and Tenderness Folds and Unfolds November 22, 2025
  • “The Christmas Market” Play Finds Warmth in the Cracks of a Cold Reality November 21, 2025
  • “Two Strangers (Carry a Cake Across New York)” on Broadway: Hope and Connection in Motion November 20, 2025
  • “Oedipus” Reborn: Robert Icke’s Political Tragedy Lands with Shattering Force November 19, 2025
  • Revisiting The Laramie Project: A Return to the Heart of Why We Gather November 18, 2025
  • “Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning November 17, 2025
  • THE NEW GROUP’s New Home and New Season November 16, 2025
  • A Festive, Self-Aware Crowd-Pleasing “Predictable Holiday Rom-Com: The Musical” at Second City Toronto Contains More Heart Than You’d Expect November 15, 2025
  • “Drivers Ed” A Road Trip That Knows Exactly Where It’s Going November 14, 2025
  • “Wonderful Joe” at the Grand Theatre London: A Touching Love Letter to the Overlooked November 13, 2025
  • Snow, Song, and Satire: Talking with the Stars of “The Unauthorized Hallmark(ish) Parody Musical” November 12, 2025
  • God Save the Queens: “Prince Faggot” and the Mischief Making of a Royal Queer Off-Broadway November 11, 2025
  • Bowtie Productions’ “tick, tick…BOOM!” Pulses with Legacy and Life at Alumnae Theatre November 10, 2025
  • Death is Knocking Clear and True at the Door of Soulpepper’s “The Comeuppance” and Icarus Theatre’s “DNA” November 9, 2025
  • “The Far Side of the Moon” Fails to Orbit My Imaginative Soul at Bluma Appel Theatre, Toronto November 8, 2025
  • Puppets, Prophecies, and $5 Salvation: A Night in Doc Wuthergloom’s “Little Lib’ary of the Damned” at the Red Sandcastle Theatre November 7, 2025
  • “The Twits” (2025): Slimy, Smart, Sticky, Savage, and Sweetly Subversive November 7, 2025
  • Romy & Michele: The Musical — High Kicks, High Camp, and Some Feather-Light Fun November 6, 2025
  • “Endgame” at Irish Arts Center: Druid’s Bleakly Beautiful Study in Survival and Stasis November 5, 2025

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