November 18, 2025November 18, 2025 ross

Revisiting The Laramie Project: A Return to the Heart of Why We Gather

November 12, 2025November 11, 2025 ross

Snow, Song, and Satire: Talking with the Stars of “The Unauthorized Hallmark(ish) Parody Musical”

November 11, 2025November 11, 2025 ross

God Save the Queens: “Prince Faggot” and the Mischief Making of a Royal Queer Off-Broadway

November 2, 2025November 2, 2025 ross

Why Ragtime Matters Now: A Reflection on Revival and Resonance

October 31, 2025October 31, 2025 ross

“Gwyneth Goes Skiing” — A Slippery, Silly, and Slightly Overextended Good Time on the Off-Broadway Slopes

October 30, 2025October 30, 2025 ross

“Let’s Love!” at ATC: A Clever Concept That Never Finds Its Purposeful Heart

October 16, 2025October 16, 2025 ross

Acton Says: Batter up – “The Pitch” at Actors Temple Theatre

October 13, 2025October 13, 2025 ross

Combative Conditional Love and the Courage to Confront: Inside MCC’s “Caroline”

October 12, 2025October 12, 2025 ross

Wondrously “Waiting…“, Wanting, Watching: Beckett on Broadway and Beyond

October 11, 2025October 9, 2025 ross

John Lithgow Towers Over Broadway Once More in “Giant”, Mark Rosenblatt’s Roald Dahl Drama