September 26, 2025September 26, 2025 ross

Power, Desire, and the Tango Dance of Queer History in TPM’s “Butch/Femme”

September 21, 2025September 21, 2025 ross

The Coal Mine’s Ferociously Funny and Wantonly Wise “Waiting For Godot”

September 20, 2025September 20, 2025 ross

Swipe, Refresh, Repent: Inside the Addictive Pull of Dave Malloy’s Skillfully Harmonizing “Octet”

September 18, 2025September 18, 2025 ross

Lucy Kirkwood’s “The Welkin” Unloads a Not-to-be Missed Fierce Battleground of Misogyny, Motherhood, and Moral Reckoning

August 17, 2025August 17, 2025 ross

Harold Pinter and Soulpepper Play a Wicked Game with their “Old Times” Wild Ride Interpretation

August 11, 2025August 11, 2025 ross

SummerWorks25’s “The Moment” in 4 Unique Dance Beats

August 9, 2025August 8, 2025 ross

Redheaded Stepchild’s “Gaylord” is Queer as Hell—Packing the Briefs with Clever Metaphors and Meaty Ideas

July 26, 2025July 26, 2025 ross

Best of Fringe #2: “David Lynch’s Seinfeld” – A Surreal Bite of Comedy Brilliantly Between a D’oh and a Dilemma

July 22, 2025July 22, 2025 ross

Canadian Stage’s “Romeo and Juliet” Shines like a Dream in High Park due to the Trembling and Cracking of its Strong Leads

July 18, 2025July 18, 2025 ross

The New 2025/26 Season at Factory Theatre Toronto is Here, Ready to Transport!