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Tag: Vanessa Sears

May 3, 2025May 3, 2025 ross

Nightwood Theatre’s “Shedding a Skin” Beautifully Expands and Widens its Loving Gaze at Buddies Toronto

June 4, 2024June 5, 2024 ross

Stratford’s “Romeo and Juliet” Satisfies But Never Truly Finds its Originality

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Recent Posts

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  • A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace December 29, 2025
  • Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025 December 28, 2025
  • Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie” December 27, 2025
  • “You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles” December 26, 2025
  • Counting Blessings, Not Sheep: My Favourite Christmas Films December 25, 2025
  • “Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries” December 24, 2025
  • “Every Brilliant Thing”: The Radcliffe Return to Broadway December 23, 2025
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  • When the Past Outshines the Future: “This World of Tomorrow” at The Shed December 21, 2025
  • Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored December 20, 2025
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  • “Amadeus” Ignites California’s Pasadena Playhouse December 19, 2025
  • Stories That Wouldn’t Leave Me: FrontMezzJunkies’ Top Theatrical Experiences of 2025 from NYC, Toronto, and Beyond December 18, 2025
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  • The Captivating “Little Bear Ridge Road” Will Close Early on Broadway — A Quiet Loss for the Season December 16, 2025
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  • The Return and Reconstruction of “Marjorie Prime” December 14, 2025
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  • The Phenomenal “Hamnet” Opens on the Big Screen this Thanksgiving November 26, 2025
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  • “Two Strangers (Carry a Cake Across New York)” on Broadway: Hope and Connection in Motion November 20, 2025
  • “Oedipus” Reborn: Robert Icke’s Political Tragedy Lands with Shattering Force November 19, 2025
  • Revisiting The Laramie Project: A Return to the Heart of Why We Gather November 18, 2025
  • “Art” on Broadway: A High-Gloss Revival That Mistakes Value for Meaning November 17, 2025

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