March 1, 2026February 28, 2026 ross

Swept Away by the Storm: “Wuthering Heights” Finds Foggy Beauty in Rich Excess

February 25, 2026February 25, 2026 ross

Izzy Says: Powerhouse Performances Transcend Translation in “Piaf/Dietrich”

February 9, 2026February 24, 2026 ross

The Seduction of Certainty in “Marty Supreme” Works Without Asking for Approval

January 30, 2026January 31, 2026 ross

Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page

January 27, 2026January 27, 2026 ross

The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 25, 2026January 25, 2026 ross

Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”

January 24, 2026January 24, 2026 ross

The Promises and Problems of Crave’s “Heated Rivalry”

January 23, 2026January 23, 2026 ross

When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”