October 17, 2026October 16, 2026 ross

Tarragon’s “Prophetess” Has a Warning for the Room

October 16, 2026October 16, 2026 ross

“Good Time Charlie” Knows Everyone Loves a One-Act Play

October 15, 2026October 15, 2026 ross

Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run

October 12, 2026October 12, 2026 ross

“Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror

October 11, 2026October 11, 2026 ross

“The Man I Love” and “Ancestors” Find Queer Connection in the Shadow of AIDS

October 10, 2026October 10, 2026 ross

“Club Kid” Finds a Different Kind of High in Unexpected Fatherhood

October 9, 2026October 10, 2026 ross

“Below” and “YAGA” Have Me Wondering What’s Lurking in Canada

October 8, 2026October 8, 2026 ross

“Così fan tutte” Has Me Questioning the Wisdom of Testing Love

October 7, 2026October 7, 2026 ross

“Possible Love” Finds the Fault Lines Between Class, Desire, and the Stories We Tell

October 6, 2026October 6, 2026 ross

Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation