November 9, 2025November 9, 2025 ross

Death is Knocking Clear and True at the Door of Soulpepper’s “The Comeuppance” and Icarus Theatre’s “DNA”

November 8, 2025November 8, 2025 ross

“The Far Side of the Moon” Fails to Orbit My Imaginative Soul at Bluma Appel Theatre, Toronto

November 7, 2025November 7, 2025 ross

“The Twits” (2025): Slimy, Smart, Sticky, Savage, and Sweetly Subversive

November 6, 2025November 6, 2025 ross

Romy & Michele: The Musical — High Kicks, High Camp, and Some Feather-Light Fun

November 5, 2025November 5, 2025 ross

“Endgame” at Irish Arts Center: Druid’s Bleakly Beautiful Study in Survival and Stasis

November 4, 2025November 4, 2025 ross

Bat Boy: The Musical at NYCC — A Sharp-Toothed, Sweet-Hearted Revival That Soars

November 3, 2025November 4, 2025 ross

“Kyoto” at Lincoln Center Theater: A Cautionary, Calculated, and Cauterizing Study in Denial and Strategy

November 2, 2025November 2, 2025 ross

Ragtime on Broadway: America Sings, Cries, and Soars Once More

November 2, 2025November 2, 2025 ross

Why Ragtime Matters Now: A Reflection on Revival and Resonance

November 1, 2025October 31, 2025 ross

“Other” at Greenwich House Theatre: The Beautiful, Anxious Art of Self-Acceptance