January 31, 2026January 31, 2026 ross

BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown

January 30, 2026January 31, 2026 ross

Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 21, 2026January 21, 2026 ross

Punch Lines, Privilege, and the Limits of Satire in “Messy White Gays”

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 13, 2026January 12, 2026 ross

Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter

December 27, 2025December 27, 2025 ross

Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie”

December 22, 2025December 22, 2025 ross

The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife”

December 21, 2025December 21, 2025 ross

When the Past Outshines the Future: “This World of Tomorrow” at The Shed