April 14, 2026April 14, 2026 ross

Counting the Cost: “The Adding Machine” and the Mechanics of Living

April 11, 2026April 11, 2026 ross

So How Does Anyone Begin? “Antigone (This Play I Read in High School)” Reclaims a Voice Long Interrupted

April 10, 2026April 10, 2026 ross

Holding the Weight Together: “My Joy Is Heavy” Finds Music Inside Grief

April 7, 2026April 7, 2026 ross

Power, Politics, and Personal Fractures in Roundabout’s “Chinese Republicans”

April 5, 2026April 5, 2026 ross

Power in Plain Passive Sight: “Public Charge” Finds Its Drama in the Work of Governing

April 2, 2026 ross

It Starts with a List: The Lucille Lortel Nominations Signal New York’s Awards Season Has Begun

March 31, 2026March 31, 2026 ross

Acton Says: Into the Darger Zone

March 24, 2026March 24, 2026 ross

BEDLAM’s Music City Hits Pause Just Before Its Next Act

March 22, 2026March 22, 2026 ross

Learning How to Fight, Learning How to Stay: “The Monsters” Turns Combat Into Connection

March 19, 2026March 19, 2026 ross

Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival