January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts

January 6, 2026January 6, 2026 ross

A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National

December 30, 2025December 30, 2025 ross

A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre

November 21, 2025November 21, 2025 ross

“The Christmas Market” Play Finds Warmth in the Cracks of a Cold Reality

October 13, 2025October 13, 2025 ross

Combative Conditional Love and the Courage to Confront: Inside MCC’s “Caroline”

October 12, 2025October 12, 2025 ross

Wondrously “Waiting…“, Wanting, Watching: Beckett on Broadway and Beyond

October 5, 2025October 5, 2025 ross

Jeremy O. Harris’s “Slave Play” About Race, Sex, and Therapy Hits Toronto’s Canadian Stage Like a Fever Dream

October 1, 2025October 1, 2025 ross

“House of McQueen”: A Stylish but Neat Hemline Where a Raw Cut Was Desired

September 21, 2025September 21, 2025 ross

The Coal Mine’s Ferociously Funny and Wantonly Wise “Waiting For Godot”

August 31, 2025August 31, 2025 ross

Acton Says: Scary stories to tell in the dark in Irish Repertory Theatre’s “The Weir”