April 10, 2026April 10, 2026 ross

Holding the Weight Together: “My Joy Is Heavy” Finds Music Inside Grief

April 9, 2026April 9, 2026 ross

Searching for the Signal: “Dog Day Afternoon” Finds Its Pulse but Struggles to Sustain the Heat

April 8, 2026April 8, 2026 ross

Forward, Backward, and Right Through the Heart: “The Last Five Years” Finds Its Voice at Radio City

April 8, 2026April 8, 2026 ross

Izzy Says: Vibrant Joy and Vivid Colour Invigorate The Grand’s “The Importance of Being Earnest”

April 7, 2026April 7, 2026 ross

Power, Politics, and Personal Fractures in Roundabout’s “Chinese Republicans”

March 24, 2026March 24, 2026 ross

A Theatre Expanding Its Reach: Crow’s Theatre Announces a Trail-Blazing 2026- 27 Season

March 12, 2026March 12, 2026 ross

Happily Playing That Record Again: “The Drowsy Chaperone” Returns Home at Theatre Passe Muraille

January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts

January 6, 2026January 6, 2026 ross

A Visually Lush but Elusive “Playboy of the Western World” Pours Down on the National

December 30, 2025December 30, 2025 ross

A Ghost Story Whispers for Christmas Eve: “The Woman in Black” at the CAA Theatre