The 2016 Drama League Awards are Announced (And Here are the Winners!) and Here’s What I have to Say About That
by Ross
This week the 2016 Drama League Awards were announced, and it’s quite the batch. (Last Friday the winners were announced. They are in bold and starred) It’s a fascinating mixed bag and a very different kind of gathering. The Drama League organizes itself a bit differently then the others. For the first few categories, it offers up 10 nominations mixing off-Broadway with on-Broadway, in the categories of Best New Play Production, Best Revival Production, and Best New Musical Production, lumping in together the whole creative team; director, book and play writers, lyricists, song writers, and producers. Best Revival of a Musical Production just had five nominations.
The bigger difference is the acting category, where everyone, male/female, off and on broadway, play and musical, are all listed together in one large group. And whomever wins, that will be the first and the last Drama League Award for that actor. Once you win a Distinguished Performance Award, you are ineligible to be nominating again, and will forever more be listed in the Honorable Mention category. But I will say that being in the company of these fine and talented actors is not anything to be down in the dumps about. Quite an honor I would say for anyone. Just ask this year’s honorable mentions: James Earl Jones (The Gin Game), Patti LuPone (Shows For Days), Frank Langella (The Father), Mary-Louise Parker (Heisenberg), Mark Rylance (Nice Fish), and Sam Waterston (The Tempest). Good company indeed.
OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY PLAY
0 Out Of 12 By Anne Washburn
Directed by Les Waters / Soho Rep
Eclipsed By Danai Gurira
Directed by Liesl Tommy / John Golden Theatre
The Father By Florian Zeller Translated by Christopher Hampton
Directed by Doug Hughes / Manhattan Theatre Club
Gloria By Branden Jacobs-Jenkins
Directed by Evan Cabnet / Vineyard Theatre
Hir By Taylor Mac
Directed by Niegel Smith / Playwrights Horizons
**The Humans By Stephen Karam
Directed by Joe Mantello / Helen Hayes Theatre
King Charles III By Mike Bartlett
Directed by Rupert Goold / Music Box Theatre
Marjorie Prime By Jordan Harrison
Directed by Anne Kauffman / Playwrights Horizons
The Royale By Marco Ramirez
Directed by Rachel Chavkin / Lincoln Center Theater
Skeleton Crew By Dominique Morisseau
Directed by Ruben Santiago-Hudson / Atlantic Theater Company
So four out of the ten are Broadway shows, and I’m guessing all four will be included in this years Tony Award nominations which will be announced Tuesday morning, May 3rd. Will the fourth play be Thérèse Raquin or maybe the equally not-so-great My Mother’s Brief Affair. My favorite is still King Charles III but I’m wondering if that was just too long ago to be remembered fondly enough to win any of these contests. It’s no surprise that The Humans won. It seems to be on track to win this year’s Tony Award. It’s winning everything as it steamrollers to May 12th. I still believe it’s an imperfect play, especially when compared to King Charles III, but I think I’m in the minority.
Regarding the off-broadway plays, Hir and Marjorie Prime were definitely two of my favorite plays (both left off the Outer Critics Award nominations), but I was sad to not see my other favorites, The Event, Familiar (which did get a OCA nomination), Grounded, and Heisenberg which both showed up in the acting categories.
OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY PLAY
Awake and Sing! By Clifford Odets
Directed by Stephen Brown-Fried / National Asian-American Theatre Company
Blackbird By David Harrower
Directed by Joe Mantello / Belasco Theatre
Cloud Nine By Caryl Churchill
Directed by James MacDonald / Atlantic Theater Company
The Crucible By Arthur Miller
Directed by Ivo van Hove / Walter Kerr Theatre
The Gin Game By D.L. Coburn
Directed by Leonard Foglia / Golden Theatre
Long Day’s Journey into Night By Eugene O’Neill
Directed by Jonathan Kent / Roundabout Theatre Company
A Midsummer Night’s Dream By William Shakespeare
Directed by Eric Tucker / Pearl Theatre Company (a co-production with the Hudson Valley Shakespeare Festival)
Noises Off By Michael Frayn
Directed by Jeremy Herrin / Roundabout Theatre Company
Sense and Sensibility By Jane Austen, adapted for the stage by Kate Hamill
Directed by Eric Tucker / Bedlam
**A View from the Bridge By Arthur Miller
Directed by Ivo van Hove / Lyceum Theatre
Ivo van Hove has certainly made a strong impact on this years revival play category (he also will be honored with the The Founders Award for Excellence in Directing), and I’m guessing both will be honored with Tony nominations this year. Blackbird and Long Day’s Journey… will probably join those two, but I’m betting that Noises Off, which I just loved (and I was also so excited to see Megan Hilty included in the list of performances), will not make the Tony cut. (I was wrong. It did, and I couldn’t be more happy about it’s inclusion) Will it be Fool for Love, like the OCA nominations? or will it be Old Times from Roundabout? Sorry Sylvia, I don’t think you’ll make it on any lists this year.
I think at the Tony Awards, it will be a battle between A View and Long Days. My guess is on May 12th, the Tony will go to the other revival, Long Days. So enjoy your win here View, you are much deserving of this.
And I’m sad to say that I didn’t see any of this years nominations that were off-broadway. I need to work on that next theatre season.
OUTSTANDING PRODUCTION OF A BROADWAY OR OFF-BROADWAY MUSICAL
American Psycho Book by Roberto Aguirre-Sacasa / Music and Lyrics by Duncan Sheik
Directed by Rupert Goold / Gerald Schoenfeld Theatre
Bright Star Music, Book and Story by Steve Martin / Music, Lyrics and Story by Edie Brickell
Directed by Walter Bobbie / Cort Theatre
Dear Evan Hansen Book by Steven Levenson / Music and Lyrics by Benj Pasek and Justin Paul
Directed by Michael Greif / Second Stage Theatre
Futurity Music by César Alvarez with The Lisps / Lyrics and Book by César Alvarez
Directed by Sarah Benson / Soho Rep and Ars Nova
**Hamilton Book, Music and Lyrics by Lin-Manuel Miranda
Directed by Thomas Kail / Richard Rodgers Theatre
iOW@ Book by Jenny Schwartz / Music by Todd Almond / Lyrics by Todd Almond and Jenny Schwartz
Directed by Ken Rus Schmoll / Playwrights Horizons
On Your Feet! Book by Alexander Dinelaris / Featuring Music Produced and Recorded by Emilio Estefan, Gloria Estefan and Miami Sound Machine
Directed by Jerry Mitchell / Marquis Theatre
School of Rock, The Musical Book by Julian Fellowes / Music by Andrew Lloyd Webber / Lyrics by Glenn Slater
Directed by Laurence Connor / Winter Garden Theatre
Tuck Everlasting Book by Claudia Shear and Tim Federle / Music by Chris Miller / Lyrics by Nathan Tysen
Directed by Casey Nicholaw / Broadhurst Theatre
Waitress Book by Jessie Nelson / Music and Lyrics by Sara Bareilles
Directed by Diane Paulus / Brooks Atkinson Theatre
It is a bit surprising that they even had this category of nominations as the winner will most likely be Hamilton. I kid. Part of me would love to say it’s over-hyped, but it really is not. (Not surprisingly, Hamilton won the award, and will win the Tony as well.) It truly is a masterful piece of musical theatre, and I’ll applaud it all through this award season. Thankfully for these other musicals, they will get some notice and praise by just having the honor of being nominated now and on May 3rd. Waitress and Bright Star were two of my favorites along with the off-broadway Dear Evan Hansen. I also enjoyed School of Rock much more then I thought I might (These three did get Tony nominations!), and I am seeing Tuck Everlasting tomorrow (so I’ll re-edit this tomorrow night). On Your Feet didn’t interest me much, and American Psycho didn’t work for me at all. I found it disappointing to say the least. Glad American Psycho didn’t get a Tony nomination, but sad that Tuck didn’t get one either, because I just loved it.
iOW@ and Futurity I didn’t get to see. To be honest, I never even heard of either show, so I’ll take a pass on any comment.
OUTSTANDING REVIVAL OF A BROADWAY OR OFF-BROADWAY MUSICAL
**The Color Purple Book by Marsha Norman / Music and Lyrics by Brenda Russell, Allee Willis and Stephen Bray
Directed by John Doyle / Bernard B. Jacobs Theatre
Dames at Sea Book and Lyrics by George Haimsohn and Robin Miller / Music by Jim Wise
Directed by Randy Skinner / Helen Hayes Theatre
Fiddler on the Roof Book by Joseph Stein / Music by Jerry Bock / Lyrics by Sheldon Harnick
Directed by Bartlett Sher / Broadway Theatre
She Loves Me Book by Joe Masteroff / Music by Jerry Bock / Lyrics by Sheldon Harnick
Directed by Scott Ellis / Roundabout Theatre Company
Spring Awakening Book and Lyrics by Steven Sater / Music by Duncan Sheik
Directed by Michael Arden / Brooks Atkinson Theatre
Four of these musicals are destined to be nominated for a Tony in the next few weeks. Surprisingly, Dames at Sea keeps making the list as well (it was also nominated for a OCA earlier this week). The others are all award worthy and I loved each and everyone. (All four did get Tony nominations) Spring Awakening was just so moving and inventive (Deaf West Theatre will receive the Unique Contribution to the Theater Award). The Color Purple and Fiddler on the Roof were also equally lovely and moving, with some amazing performances that were singled out, but my favorite was She Loves Me, which is just plain perfect in just so many ways. The musical does have a special place in my heart as it was the first professional musical I had ever seen at the Grand Theatre in London, Ontario, and I loved it then, as I love it now. (Sadly She Loves Me is not winning any awards. I knew it would be a race between that and The Color Purple. I thought it would split the awards between Best Actress and Best Revival, but it’s looking like Color will take them both, as it won the award here)
Sheldon Harnick, currently connected to the revivals of Fiddler on the Roof and She Loves Me, will receive the Distinguished Achievement in Musical Theater Award.
NOMINEES FOR THE DISTINGUISHED PERFORMANCE AWARD
One winner is selected from this category. The recipient can only receive this award once during his or her career. I’m going to put a + in front of those performers who particularly made me smile. There are quite a few on this list that gets my star beside their name. It was a good year, and I saw some fantastic performances. I thank you all for giving me that smile and that emotional impact.
(No surprise here. Miranda took this award, maybe not for his performance, but for the whole package of writing, creating, and performing in Hamilton. I’m hoping the Tony Award for Best Actor in a Musical will go to someone else, as Miranda will most likely take Book, Score, and Best Musical. I’m thinking the Tony will go to Odom, but I could be wrong.)
+Nina Arianda, Fool for Love
Annaleigh Ashford, Sylvia
+Laura Benanti, She Loves Me
Reed Birney, The Humans
+Alex Brightman, School of Rock, The Musical
+Danny Burstein, Fiddler on the Roof
Timothée Chalamet, Prodigal Son
Kelley Curran, The Dingdong
+Carmen Cusack, Bright Star
+Jeff Daniels, Blackbird
Khris Davis, The Royale
Daveed Diggs, Hamilton
Georgia Engel, John
+Cynthia Erivo, The Color Purple
Jesse Tyler Ferguson, Fully Committed
Lynda Gravatt, Skeleton Crew
Michael C. Hall, Lazarus
+Anne Hathaway, Grounded
+Megan Hilty, Noises Off
Jackie Hoffman, Once Upon a Mattress
+Jayne Houdyshell, The Humans
Jennifer Hudson, The Color Purple
Marin Ireland, Ironbound
+Andrew Keenan-Bolger, Tuck Everlasting
Leslie Kritzer, The Robber Bridegroom
Jessica Lange, Long Day’s Journey into Night
Judith Light, Thérèse Raquin
+Zachary Levi, She Loves Me
**Lin-Manuel Miranda, Hamilton
+Jessie Mueller, Waitress
+Kristine Nielsen, Hir
+Lupita Nyong’o, Eclipsed
+Sophie Okonedo, The Crucible
Annette O’Toole, Southern Comfort
+Tim Pigott-Smith, King Charles III
+Ben Platt, Dear Evan Hansen
Phylicia Rashad, Head of Passes
+Sam Rockwell, Fool for Love
Thomas Jay Ryan, 10 Out of 12
Michael Shannon, Long Day’s Journey into Night
Jennifer Simard, Disaster!
+Lois Smith, Marjorie Prime and John
++Mark Strong, A View from the Bridge
Cicely Tyson, The Gin Game
Michael Urie, Shows for Days
Ana Villafañe, On Your Feet!
Benjamin Walker, American Psycho
+Nicola Walker, A View from the Bridge
+Ben Whishaw, The Crucible
Michelle Williams, Blackbird
The Drama League also wishes to acknowledge the previous recipients of the Distinguished Performance Award who appeared in New York productions this season. As the Award can only be won once in a performer’s lifetime, they are ineligible this season. Their exemplary work, however, is recognized and applauded.
James Earl Jones, The Gin Game
+Patti LuPone, Shows For Days
+Frank Langella, The Father
+Mary-Louise Parker, Heisenberg
+Mark Rylance, Nice Fish
Sam Waterston, The Tempest
The Drama League previously announced the 2016 Special Recognition Awards Recipients, as follows:
Deaf West Theatre (David J. Kurs, Artistic Director), represented on Broadway this season with the lauded revival of Spring Awakening, will receive the Unique Contribution to the Theater Award
Tony®, Grammy®, and Pulitzer Prize winner Sheldon Harnick, currently represented on Broadway with hit revivals of Fiddler on the Roof and She Loves Me, will receive the Distinguished Achievement in Musical Theater Award
Olivier® Award winner Ivo van Hove, director of this season’s productions of Antigone at BAM, Lazarus at NYTW, and the acclaimed Broadway revivals of A View From the Bridge and The Crucible, will receive The Founders Award for Excellence in Directing.
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Reblogged this on front mezz junkies and commented:
and the winners are!
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[…] 19th. Along with winning the Tony Award for best male actor in a musical, he received the Obie, Drama League, and Lucille Lortel Awards, as well as nominations for the Drama Desk and Outer Critics Circle […]
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