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Day: April 30, 2016

April 30, 2016April 29, 2016 ross

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Recent Posts

  • The Chita Rivera Awards Kick Up Their Heels Once Again June 21, 2022
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  • The Halved Too Long/Too Short (But Still Very Magical) Harry Potter Hits Toronto June 20, 2022
  • The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆 June 10, 2022
  • Buddies in Bad Times Queer Pride Fest Arrives, And I Couldn’t Be More Stoked June 9, 2022
  • Soulpepper’s Where The Blood Mixes Swims Strong in the Rough Muddy Currents of our Trauma. June 7, 2022
  • Broadway’s The Little Prince Fails to Fly May 30, 2022
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  • American Buffalo on Broadway Isn’t Exactly the Charm the Third Time Revived Should Be May 25, 2022
  • LCT Unearths a Fantastically Bizarre Skin Of Our Teeth to Slide Down Into May 24, 2022
  • 2022 Drama League Award Winners May 20, 2022
  • Paradise Square Far Too Earnestly (R)Evolves onto Broadway May 20, 2022
  • Six, The Lehman Trilogy, Kimberly Akimbo Win Big at the 2022 Outer Critics Circle Awards May 20, 2022
  • for colored girls… Gives Broadway a Slice of Captivating Power May 17, 2022
  • The 2022 Drama Desk WINNERS ANNOUNCED May 16, 2022
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  • Take Me Out on Broadway Unpacks Discomfort (But Not Your Phone) Beautifully May 13, 2022
  • New York Drama Critics’ Circle Winners Named May 13, 2022
  • It Takes Three (Companies) For These Two (Sisters) to Act So Powerfully for (She) the One in the Intense Is God Is May 12, 2022
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  • The 2022 Tony Award Nominations May 9, 2022
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  • Outer Critic Circle Nominations Announced April 26, 2022
  • Two Very Different Memory Plays: How I Learned to Drive and Birthday Candles April 26, 2022
  • Public’s Suffs Majestically Climbs Those Hard Earned Stairs Beautifully April 23, 2022
  • LCT Has Sewn a Lovely Intimate Apparel, But It Might Not Have Been Made to Fit Me April 19, 2022
  • Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into April 11, 2022
  • Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English April 9, 2022
  • The Human Voice in the West End Connects Even When Disconnection is at its Core March 31, 2022
  • MCC Theater Wins The War with Space Dogs, the Musical March 29, 2022
  • Mike Bartlett’s Cock Stands Up Strong in the West End March 25, 2022
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  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH – Part 2 March 5, 2022
  • The Long and Intensely Satisfying Prayer for the French Republic March 5, 2022
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  • Broadway’s Revival of The Music Man Entertains Charmingly February 28, 2022
  • MTC’s Skeleton Crew Projects Power and Hope on the Factory Wall February 20, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH February 15, 2022
  • CODA Has Something Beautiful to Say, Sing, and Sign February 14, 2022
  • HBO’s The Gilded Age Fails to Sizzle in Episode One. Fingers Crossed Going Forward. January 26, 2022
  • Netflix’s Passing is a Monochromatic Beautiful Obsession January 20, 2022
  • The Black and White Tragedy of Macbeth in a Brilliant Stark Construct January 18, 2022
  • HBO’s “Landscapers” Digs Deep & Rides Off Into The Sunset Brilliantly January 16, 2022
  • The Tender Bar Drives Its Point Home, Beautifully January 10, 2022

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