
By Ross
Riding the Q train home after the thrilling new musical, In Transit, the first A Cappella musical ever to hit a Broadway stage, I dreamed of having such a joyous commute home. If only every subway ride could be as smooth, festive, and impressive as this show is (lovingly directed by Kathleen Marshall) – I write this as I sit on a stalled subway, filled with Christmas shoppers and drunk SantaCon revelers inching my way to Brooklyn on the slowest ride home in memory. What is happening on that glorious stage at Circle In The Square, is a commute from heaven. And nothing like the one I’m having right now.


The actual story lines of these commuters might seem a bit on the slight side, and most of the characters can be summed up in two or three words. On the surface the stories seem standard, but as we keep riding along with the young, fresh, and super talented cast, we
become invested and surprised by the twists and turns of these simple but connecting commuters’ lives. These stories don’t, in the end, take you where you expected them to. It’s no Ibsen or Dear Evan Hansen for that matter, but it’s not cookie cutter theatrics either. There is the aspiring actress/temp employee, Jane (the magnificent Margo Seibert) who is looking for her big break on Broadway (Seibert had it with Rocky The Musical as Adrian) and sorta kinda looking for love. In regards to the aspiring actress part, the reason this musical works so well, is the basic core of these stories are real. An actress friend said to us after the show, “I think I’ve said the exact same things to myself on a subway coming home from an audition”. And I can believe it. We have all been there, talking to ourselves on a subway coming home from something that we are attempting to change and advance in our lives. It doesn’t have to be even professional or theatrical in subject, but the trueness of these lines connect with us in each and everyone of our individual hearts.

Over here on this side of the track, we meet another soul looking for a way to move forward. The handsome, kind, down on his luck, former ‘king of the world’ Nate (the very endearing James Snyder) is looking for a new start, and, in true honestly, we hope he crashes into Jane along the way (we get our wish). Over there, riding on a
different train, is Nate’s sweet, slightly desperate sister, Ali (a wondrously funny Erin Mackey) neurotically coming unhinged a little. Freshly dumped by a guy she left the west coast and school for, Ali is looking for a new route to take in life. Waving and saying hi from a different subway platform is Ali’s friends, the lovely and adorable gay couple Trent (the exceedingly good Justin Guarini) and Steven (the unquestionably amazing Telly Leung – sadly not given nearly enough to do here). Trent and Steven, who have a fantastically fun early number, “Four Days Home”, are recently engaged, planning what sounds like the sweetest wedding, but struggling with Trent’s in-the-closet status with his mother, (the magnificent Moya Angela, who can do no wrong in numerous parts throughout the show). Like Angela, there are others as well, all on a journey from one place to another. And all with stupendous vocal abilities and range: Kathy/Gerianne Perez, Dave/David Abeles, Chris/Nicholas Ward – what a voice he has!, and Nina/Mariand Torres. They are the ones playing all those other parts, and filling in the background with a vocal richness of sound.
Together they are making that journey, trying to move forward from point A to point B, all the more exciting, layered, and engaging. This show would not sound so good without them.


In Transit is a story we can all relate to, especially those of us who did move to NYC and ride that annoying and needed subway system daily. It’s a journey, sometimes extremely delayed, with lots of obstacles and track work along the way. Other times it is glorious. The songs ring true and engage us beautifully. “Do What I Do”, “Broke”, “Saturday Night Obsession” set up these characters quickly and completely with fun, wit, and charm, giving the talented cast tons to work with. Our personal journey through life in NYC might not be so tidy in the end, but in the world of In Transit, everyone gets to where they want to go, beautifully, even if it’s not the place that was planned. It’s a harmonious fun journey with this group of commuters, one that I would trade in for any day of the week.
[…] The show, whose creative team includes Academy Award winner #KristenAndersonLopez, #JamesAllenFord, #RussKaplan, and #SaraWordsworth (book, music, lyrics), directed by #KathleenMarshall, starring #DavidAbeles, #MoyaAngela, #JustinGuarini, #StevenHeaveNCantor, #ErinMackey, #GeriannePérez, #MargoSeibert, #ChesneySnow, #JamesSnyder, #MariandTorres, #NicholasWard, #AdamBashian, #LaurelHarris, #AureliaWilliams, and the amazing #TellyLeung scenic: #DonyaleWerle; costume: #ClintRamos; lighting: #DonaldHolder; sound: #KenTravis; projection: #CaiteHevner In Transit: No Delays Here […]
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[…] @OMDKC https://frontmezzjunkies.com/2016/12/04/dear-evan-hansen/ @InTransitBway @Polk and Co https://frontmezzjunkies.com/2016/12/11/in-transit/ @ABronxTaleMusical @bbbway https://frontmezzjunkies.com/2016/12/01/a-bronx-tale/ […]
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[…] red, and we are automatically shoved brutally back into that locked basement room (scenic design: Clint Ramos; costumes: Jacob A. Climer; lighting: David Welner). Having seen the show previously in a much […]
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[…] by the scenic designer, Mark Wendland (Heisenberg, If/Then), costumes by Clint Ramos (Eclipsed, In Transit); lighting, Ben Stanton (Deaf West’s Spring Awakening, Fun Home); sound, Darron L. West; and […]
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[…] members of the company were considered this year. The committee determined that all aspects of In Transit had been significantly reworked since its Off Broadway engagement in 2010 and thus deemed it […]
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[…] decorated with pretty clouds and an odd assortment of steps by set designer, Donyale Werle (In Transit), with garish costumes by Clint Ramos (Six Degrees of Separation), and not so subtle lighting by […]
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[…] are projections, designed by Caite Hevner (In Transit) and original music and sound by Lindsay Jones (Public’s Privacy), that add to the drama. […]
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[…] and dashing Baron Felix Von Gaigern, played by the noble and charming James Snyder (If/Then, In Transit), stealing the breath away from all that surround him are perfect, directed and choreographed with […]
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[…] and with one of many inventive stage reconfigurations of Donyale Werle’s (Broadway’s In Transit, Allegiance) set, with strong lighting by Russell H. Champa (PH’s The Light Years), costumes by […]
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[…] earlier on. The well orchestrated but slightly clumsy set design by Donyale Werle (Broadway’s In Transit), with simple but workable lighting by Cory Pattak (BCS’s In the Heights) crowds the stage, […]
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[…] actress from L.A., Alicia, played brilliantly vague by the wondrous Margo Seibert (Broadway’s In Transit), with hopes and dreams of changing the traditional tale all for the children. Basking in her own […]
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[…] (MCC’s Alice by Heart) as Karly, and the deeply engaging Adam Bashian (Broadway’s In Transit) as Ed is where they all find themselves even as they look outward for connection. Toby, lovingly […]
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[…] style that perfectly fits the demented landscape of scenic designer Donyale Werle (Broadway’s In Transit), with strong lighting by Mark Barton (LCT’s Admissions) and solid sound design by Leon […]
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[…] radio show treatment conjured up by the inventive scenic designer Donyale Werle (Broadway’s In Transit), with wonderfully snazzy costuming by Clint Ramos (Broadway’s Once on This Island), distinct […]
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[…] (Deaf West/Broadway’s Spring Awakening), strong projections by Caite Hevner (Broadway’s In Transit), and solid sound by Jill BC du Boff (Broadway’s Hand to God), the amazements come one after […]
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[…] (Broadway’s The Band’s Visit), touching projections by Caite Hevner (Broadway’s In Transit), and the solid sound design by Jill BC Du Boff (Broadway’s Derren Brown: Secret), Bella […]
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[…] an eye for fun and pleasure by the impeccable Kathleen Marshall (Broadway’s Anything Goes; In Transit), with magnificent and fun dance arrangements by David Chase (Broadway’s Kiss Me, Kate), The […]
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[…] as Donald, and Joseph James O’Neil as Hank. The new boys to the table are the delightful Telly Leung as Rick, Carson McCalley as Scott, and Charlie Carver as Jason. [side note: on Broadway: Jim […]
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[…] Memphis), and a wonderfully intricate projection design by Caite Hevner (Broadway’s In Transit), adds layers of book-smart fun to the production with panels from the stage floor flipping and […]
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