February 15, 2025February 15, 2025 ross

Gregg Ostrin’s Off-Broadway “Kowalski” Fixes The Fuse Box Fantastically

January 25, 2025February 3, 2025 ross

Bedlam’s “Music City” Country Musical Makes Me Smile Like the Sun

January 17, 2025January 24, 2025 ross

Liz Appel’s “Wights” at Crow’s Toronto Fly Slams the Framing Ferociously

January 16, 2025January 16, 2025 ross

Sinking Ship/Theater in Quarantine Astounds the Under the Radar Festival with “The 7th Voyage of Egon Tichy [redux]”

January 14, 2025January 14, 2025 ross

Frontmezzjunkies Has Some Fun at the Under The Radar Festival NYC with Wakka Wakka’s Brilliantly Inventive “Dead as a Dodo”

December 30, 2024December 30, 2024 ross

Trafalgar Theatre’s “The Duchess [of Malfi]” Dynamically Spotlights Violence and Misogyny in Modern Jacobean Framings

December 28, 2024December 28, 2024 ross

2ST’s “Cult of Love” & MTC’s “Eureka Day” Clash Hard, Electric, and True on Broadway

December 25, 2024December 31, 2024 ross

The Frontmezzjunkies Best of Theatre 2024 Edition On Stage – in NYC; Ontario, Canada; & London, England

December 24, 2024December 24, 2024 ross

“The Producers” Hits It’s Mark Gloriously and Hilariously Well at the Menier Chocolate Factory, London

December 16, 2024December 15, 2024 ross

Broadway Should Have Been “Swept Away” For Much Longer by This Ferociously Engaging Dark New Musical