December 29, 2025December 29, 2025 ross

A Town, a Bully, and the Moment Everything Breaks: “Kenrex” at The Other Palace

December 28, 2025December 27, 2025 ross

Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025

December 27, 2025December 27, 2025 ross

Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie”

December 26, 2025December 26, 2025 ross

“You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles”

December 25, 2025December 24, 2025 ross

Counting Blessings, Not Sheep: My Favourite Christmas Films

December 24, 2025December 24, 2025 ross

“Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries”

December 23, 2025December 23, 2025 ross

“Every Brilliant Thing”: The Radcliffe Return to Broadway

December 22, 2025December 22, 2025 ross

The Smell of Bread and the Cost of Desire: CSC’s “The Baker’s Wife”

December 21, 2025December 21, 2025 ross

When the Past Outshines the Future: “This World of Tomorrow” at The Shed

December 20, 2025December 20, 2025 ross

Frontmezzjunkies Will Not Return to the Kennedy Center Until Its Name—and Its Mission—Are Restored