September 16, 2025September 16, 2025 ross

TIFF50: “The Captive” / “El Cautivo” Holds Us Tight, Imprisoning Us in its Glorious Storytelling and Visuals

September 15, 2025September 15, 2025 ross

TIFF50: In Chloé Zhao’s “Hamnet” History Breathes, Grief Burns, and Love Soars Higher Than All

September 15, 2025September 15, 2025 ross

Vancouver Queer Film Festival Announces Their Award Recipients

September 14, 2025September 15, 2025 ross

TIFF50 Announces 2025 Award Winners Including People’s Choice

September 14, 2025September 16, 2025 ross

TIFF50: Unpacks the Power of “Blood Lines”

September 13, 2025September 13, 2025 ross

TIFF50: “Dead Man’s Wire” Excels in its Underdog Wiring of Deadly Wit and Electricity

September 12, 2025September 12, 2025 ross

Shaw Festival Sings Loud and True with their “Blues for an Alabama Sky”

September 10, 2025September 10, 2025 ross

TIFF50: Fernando Eimbcke’s “Olmo” Rolls Honest & True in 1979

September 9, 2025September 6, 2025 ross

The Shaw Festival’s “Gnit” is Not to be Missed. Or Maybe it is (But I don’t think so)

September 7, 2025September 7, 2025 ross

Shaw Festival’s “Wait Until Dark” Grips Tight on the Knife’s Edge of Darkness