August 21, 2025August 21, 2025 ross

The Shaw Festival’s Four-Play Wonderland: A Heart-Pounding, Mind-Expanding August Adventure

August 18, 2025August 19, 2025 ross

TALK IS FREE THEATRE Makes Announcements About their 25/26 Season’s Site-Specific Productions

August 16, 2025August 15, 2025 ross

OtM’s “Rainbow on Mars” Never Blinks as it Dances Forth a Compelling Construction Around Blindness

August 15, 2025August 14, 2025 ross

Acton Says: “The Animals Speak”: Walt Disney in South America

August 13, 2025August 12, 2025 ross

Stratford Festival’s 2026 Season Under the Theme “This Rough Magic,” a Reflection on the Importance of Theatre in our Lives.

August 9, 2025August 8, 2025 ross

Redheaded Stepchild’s “Gaylord” is Queer as Hell—Packing the Briefs with Clever Metaphors and Meaty Ideas

August 8, 2025August 8, 2025 ross

Unapologetically Queer: Two Hamilton Fringe Gay Gems – The Bold, Funny, and Fierce “A Canadian Explains Eurovision to Other Canadians” + “The Heterosexuals”

August 7, 2025August 7, 2025 ross

Hamilton Fringe’s Surprisingly Filling Fun and Very Juicy “Meat Market”

August 5, 2025August 5, 2025 ross

The Hamilton Fringe Dynamically Finds Perfect Patience inside Breadbox Theatre’s “Waiting For* Godot *Waiting For, Waiting For”

August 3, 2025August 4, 2025 ross

Vivid Voices and Fierce Truths: Two Standout Hamilton Fringe Solo Shows – Sex Goddess + Horseface