front mezz junkies

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Author: ross

self appointed front mezzanine junkie of the highest order :)
January 11, 2018January 17, 2018 ross

Royal Court’s The Ferryman: Feminism, Irishness and Nostalgia.

January 10, 2018March 7, 2018 ross

Shows to be Excited for: Spring 2018: The Who’s Who Who’s Coming to Broadway. 

January 6, 2018January 6, 2018 ross

Donmar’s Belleville: Messy Entitled Millennials Brilliantly Living Too Large in Paris.

January 4, 2018 ross

National Theatre’s Follies: A Rotating Middle Aged Crisis Beautifully Losing Her Mind.

December 30, 2017 ross

Best Theatrical Events of 2017: My Top 20

December 29, 2017 ross

Mary Shelley’s Frankenstein: A Beautiful Monster in a Messy Landscape

December 23, 2017December 22, 2017 ross

It’s a Wonderful Life (The Radio Play) When I Get to Watch This and A Christmas Story (The Musical) All in One Week.

December 22, 2017 ross

Farinelli and the King: The Man and the Singer Heal a Monarch, Majestically.

December 21, 2017December 21, 2017 ross

MTC’s The Children: A Bloody Good Question Needs an Answer.

December 20, 2017December 20, 2017 ross

The Greatest Showman – A Movie Review

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Recent Posts

  • “Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity October 5, 2026
  • “Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman October 4, 2026
  • Antonio says, “Give crowns and pounds and guineas- but not your heart away” October 3, 2026
  • “Misty Green” Breaks Your Heart One Bad Decision at a Time October 3, 2026
  • “Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again October 2, 2026
  • Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal October 1, 2026
  • A Young Man Climbs From Beneath the Snowy Silence in “A Long Winter” September 30, 2026
  • “La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company September 29, 2026
  • “To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence September 28, 2026
  • “Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper September 27, 2026
  • “Please Welcome to the Stage…” School of Rock Finds Its Rock Stars at the Grand Theatre September 26, 2026
  • TIFF26: “La Bola Negra” Is a Queer Epic Written Across Time September 25, 2026
  • Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford September 24, 2026
  • TIFF26: “Elsinore” Finds the Fierce Joy of Living in Ian Charleson’s Final Hamlet September 23, 2026
  • Day Eleven at TIFF, and I’m Calling That a Wrap September 22, 2026
  • Day Ten at TIFF, and the Magic Hasn’t Worn Off September 21, 2026
  • TIFF51 Announces Its 2026 People’s Choice Award Winners, and I’m Thrilled September 20, 2026
  • Day Nine at TIFF, Giving My Agenda to the Gods September 20, 2026
  • “Measure for Measure” Is Back on Air, and I’m Pressing Play on My Old Review September 20, 2026
  • Day Eight at TIFF, When the Day Makes the Choices September 19, 2026
  • Day Seven at TIFF, Trusting Where the Day Takes Me September 19, 2026
  • Day Six at TIFF, When Five Films Become a Test of Endurance September 18, 2026
  • “Becoming Hamlet” Gets Lost Inside Its Own Experiment September 18, 2026
  • “Walden” Finds Two Sisters Searching for Something Worth Saving September 17, 2026
  • “A Fine Balance” and “Being Heumann” Put People Inside History September 16, 2026
  • Day Five at TIFF, and the Movies Pack a Punch September 15, 2026
  • Day Four at TIFF, and I Get My Mojo Back  September 14, 2026
  • Day Three at TIFF, and the Right Choice Is to Sleep In September 13, 2026
  • “Dirty Bird” Goes Beautifully Off the Rails September 12, 2026
  • Day Two at #TIFF, and Back in My Seat September 11, 2026
  • split/decision’s “Safe House” Turns a Family Bunker Into a Dangerous Shelter September 10, 2026
  • Day One at TIFF, and a Choice Must Be Made September 10, 2026
  • “Heated Rivalry: The Unauthorized Musical Parody” Knows Exactly Why We’re Here September 9, 2026
  • Antonio says, “Well done! I can see your career rise in the east like the sun.”*  September 8, 2026
  • “Ohio State Murders” Turns Trauma Into a Labyrinth at the Shaw Festival September 7, 2026
  • Janelle Cooper Looks Beyond the Evil Stepmother at the Shaw Festival September 6, 2026
  • “The Wind in the Willows” Lets Me Climb Back Into Childhood at the Shaw Festival September 5, 2026
  • Ana Gasteyer Is Taking September L. Davis on an Apology Tour, and I Am Absolutely Ready to Forgive But Not Forget September 4, 2026
  • “Amadeus” Has the Music, but Salieri Never Quite Finds the Fire September 3, 2026
  • TIFF Has a Whole Festival Happening Outside the Theatres September 2, 2026
  • Shaw’s “Heartbreak House” Leaves Me Standing at the Door Wanting My Heart Broken September 1, 2026
  • Broadway’s Plays Are Pulling on My Senses August 31, 2026
  • “Saturday, Sunday, Monday” Serves Up a Feast of Love, Jealousy and Avoidance August 30, 2026
  • TIFF Tickets Are Bought, So Let the Madness Begin August 29, 2026
  • “The King James Bible Play” Has Some Very Serious Things to Say About Some Very Complicated Words August 28, 2026
  • A Very Personal Return to Ontario’s Shaw Festival, With Some Theatrical Temptations I Can’t Resist August 27, 2026
  • Stratford’s “The Tao of the World” Is a Deliciously Wicked Feast of Wealth and Romance With Something Sharp on the Side August 26, 2026
  • “The Odyssey” Film Is a Spectacle That Stalls and Snoozes on Its Emotional Shore August 25, 2026
  • Antonio Says, “The Ennui of a Provincial Hamlet.” August 24, 2026
  • Broadway Musicals Keep Giving Me New Reasons to Return and Rejoice August 23, 2026

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