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Month: April 2022

April 26, 2022May 27, 2022 ross

Outer Critic Circle Nominations Announced

April 26, 2022April 26, 2022 ross

Two Very Different Memory Plays: How I Learned to Drive and Birthday Candles

April 23, 2022April 23, 2022 ross

Public’s Suffs Majestically Climbs Those Hard Earned Stairs Beautifully

April 19, 2022April 19, 2022 ross

LCT Has Sewn a Lovely Intimate Apparel, But It Might Not Have Been Made to Fit Me

April 11, 2022April 11, 2022 ross

Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into

April 9, 2022April 10, 2022 ross

Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English

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Recent Posts

  • Stratford Festival’s King Lear 2023 Struggles in the Controlled Column of Rain June 1, 2023
  • The Rage of Narcissus Rages On at Theatre Passe Muraille, Toronto May 21, 2023
  • The Sound Inside Captivates at Toronto’s Coal Mine Theatre May 20, 2023
  • The Chinese Lady on Dynamic Display at Crow’s Theatre, Toronto May 18, 2023
  • Broadway Flies Proud The Sign in Sidney Brustein’s Window as a Rally Cry To Us All May 14, 2023
  • MTC Celebrates Theatrical Royalty in “Summer, 1976” May 11, 2023
  • Doug Wright’s “Good Night, Oscar” Plays Well on the Broadway Stage May 7, 2023
  • City Center Encores! Sings Strong! in an Awkward “Oliver!” May 6, 2023
  • Broadway’s Very Funny “The Thanksgiving Play” Arrives Possibly Just Past Its Best-By Date May 4, 2023
  • The 2023 Tony Award Nominations Announced May 2, 2023
  • 2023 Theatre World Award Winners Announced May 2, 2023
  • The 2023 Drama League Award Winners (and Nominations) Announced May 1, 2023
  • The Non-Magical Lands of LCT’s “Camelot” and Broadway’s “New York, New York” April 30, 2023
  • Broadway’s Singular Sensational “Prima Facie” April 29, 2023
  • 2023 Chita Rivera Award Winners (and Nominations) Announced April 28, 2023
  • “God of Carnage” Too Simply De-evolves into Chaos Superficially April 27, 2023
  • 2023 Drama Desk Award Nominations Announced April 27, 2023
  • “Fat Ham” Glitters Gloriously on Broadway April 26, 2023
  • The 2023 Outer Critics Circle Award Winners are Announced April 26, 2023
  • Broadway Peter Pan Goes Wrong Flies in the Rightest of Ways April 24, 2023
  • Tarragon’s “Paint Me This House of Love” Illuminates the Pain That Can’t Be Hidden With One Coat April 23, 2023
  • A Dutiful and Desirable Summer at Stratford Festival 2023 April 19, 2023
  • Body So Fluorescent Glows Extra Strong and Bright at Buddies Toronto April 18, 2023
  • The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake April 16, 2023
  • The Captivating “Vierge” Vibrates with Spiritual Energy at Factory Theatre Toronto April 15, 2023
  • “How To Defend Yourself” Punches Strong at NYTW April 13, 2023
  • Bob Fosse’s Dancin’ Rides High, But Slowly Loses Its Steam Heat. April 11, 2023
  • The Public’s “The Harder They Come” Dreams Big April 9, 2023
  • “The Hooves Belonged to the Deer” Shoots Wild and True at Toronto’s Tarragon Theatre April 8, 2023
  • Punctuate! Theatre’s “First Métis Man of Odesa” Touches Our Collective Heart Against a Backdrop of War and Disease April 7, 2023
  • Great “Shucked” bests Bad “Bad Cinderella” on Broadway April 4, 2023
  • Sweeney Todd Kills and Eats Up the Competition on Broadway April 2, 2023
  • Broadway’s “Life of Pi” Sails Strong and Magically Over From the West End March 30, 2023
  • Broadway’s Parade, a Masterpiece and Master Class, Not to be Missed. March 28, 2023
  • Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof March 26, 2023
  • The Unpacking of the First Métis Man of Odesa, An Interview March 25, 2023
  • Broadway’s Pictures From Home Remains Unfocused and Flat March 5, 2023
  • Tarragon Theatre Sparkles with the Intense and Captivating “Behind the Moon” March 4, 2023
  • MCC’s Wolf Play Rings Forth the Battle, Playfully and Emotionally March 3, 2023
  • Tarragon Theatre Unleashes a Powerful and Funny Redbone Coonhound March 1, 2023
  • Soulpepper Theatre’s English Speaks Volumes With Humor and Pain February 27, 2023
  • Titanique is Céline “Fu**ing” Dion Unsinkable February 25, 2023
  • Anthony Rapp’s Without You Gets the Rent Right, But Disconnects When it Gets Personal February 25, 2023
  • Leo Reich: Literally Who Cares?! Well, Maybe I do. Most Definitely. February 22, 2023
  • Audible’s Lucy Builds Tension, But to What End? February 21, 2023
  • The Memory of Trees, An Interview February 20, 2023
  • Roundabout’s The Wanderers Does Exactly That, But Fails to Find its Way to the Core February 18, 2023
  • 2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway February 2, 2023
  • Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With January 31, 2023
  • MTC’s The Collaboration Makes Disposable Sellable Art for Consumption January 27, 2023

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