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Month: November 2022

November 24, 2022November 24, 2022 ross

The Doctor Spins Spectacularly Smart in London’s West End

November 18, 2022November 18, 2022 ross

Tarragon Theatre Disturbs with Post Democracy

November 17, 2022November 17, 2022 ross

A Man of No Importance Comes Out Beautiful and Strong

November 15, 2022November 15, 2022 ross

Public Theater’s Dynamic A Raisin in the Sun Demolishes the Happy Ending

November 13, 2022November 13, 2022 ross

The One Person Show Swims Strong With Walking Ghosts, Indigenous History, and an Old Man and the Pool, Exactly, Where We Belong

November 12, 2022November 12, 2022 ross

Almost Famous Strikes an Off-Key Chord on Broadway

November 8, 2022November 8, 2022 ross

Roundabout’s You Will Get Sick Weirdly and Wonderfully Just Wants to Click Their Collective Heels and Go Home

November 6, 2022November 6, 2022 ross

Topdog/Underdog Moves and Grooves Intensely On Broadway Once Again

November 2, 2022November 2, 2022 ross

We All Have Knives, An Interview

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Recent Posts

  • Broadway’s Ain’t No Mo’ is Totally Enough December 4, 2022
  • The Lea Michele Revitalized Funny Girl is Finally Balanced and Buoyant December 2, 2022
  • The Doctor Spins Spectacularly Smart in London’s West End November 24, 2022
  • Tarragon Theatre Disturbs with Post Democracy November 18, 2022
  • A Man of No Importance Comes Out Beautiful and Strong November 17, 2022
  • Public Theater’s Dynamic A Raisin in the Sun Demolishes the Happy Ending November 15, 2022
  • The One Person Show Swims Strong With Walking Ghosts, Indigenous History, and an Old Man and the Pool, Exactly, Where We Belong November 13, 2022
  • Almost Famous Strikes an Off-Key Chord on Broadway November 12, 2022
  • Roundabout’s You Will Get Sick Weirdly and Wonderfully Just Wants to Click Their Collective Heels and Go Home November 8, 2022
  • Topdog/Underdog Moves and Grooves Intensely On Broadway Once Again November 6, 2022
  • We All Have Knives, An Interview November 2, 2022
  • Arthur Miller’s Death of a Salesman Revival on Broadway Overflows with Respect and Relevance October 30, 2022
  • Factory Theatre Charms with The Waltz by Badian October 29, 2022
  • ATC Waits Out the Multi-Layered I’m Revolting to Score Big at the End of the Day October 27, 2022
  • The First Stone Powerfully Starts it All at Toronto’s Buddies in Bad Times Theatre October 25, 2022
  • Haley McGee Hits the Right Formula in The Ex-Boyfriend Yard Sale at Soulpepper Theatre, Toronto. October 22, 2022
  • NYTW american (tele)visions Shuffles Stations Hypnotically Meeting Needs, Without a Cure October 20, 2022
  • 1776’s Broadway Revival Casts its Historical Net Wide and Diverse, Thank God. October 18, 2022
  • MTC’s Cost of Living Spins a Fascinating and Compelling Net of Complicated Care and Sorrow October 14, 2022
  • Everything’s Fine (or is it?), Off-Broadway. October 13, 2022
  • Tom Stoppard’s Leopoldstadt Digs Deep into History and the Heart October 10, 2022
  • Red Sandcastle Theatre’s Civilized Hits History Home Honorably and Intensely, Required Viewing by All October 3, 2022
  • High School Project’s Into the Woods Lovingly Finds its Way to a Happy Ending at the Grand Theatre September 30, 2022
  • Ins Choi’s Bad Parent Giggles and Coos Entertainingly, Even With All That Crying and Fighting in the Bedroom September 27, 2022
  • Tarragon Theatre’s Cockroach Powerfully and Intensely Flourishes Against All the Racist Odds of the World September 24, 2022
  • Soulpepper’s King Lear & Queen Goneril Glitters Partial Gold in its Grouping September 21, 2022
  • Real Canaan Theatre Sells Strong with a Modern Fun The Merchant of Venice September 15, 2022
  • Shakespeare in High Park’s Festively Fun and Flowery As You Like It Does the Bard Proud August 17, 2022
  • Factory Theatre’s Entertaining Trojan Girls & The Outhouse of Atreus Throws Grease on the Fire for a Greek Tragedy Swing Romp August 9, 2022
  • Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway August 2, 2022
  • The Latest Broadway Revival of Into the Woods Climbs Way Up High, Even Higher than Before. July 28, 2022
  • Between the Lines Skips Along in a Wicked-ly Fun Way, Yet Taking the Long Way Home July 25, 2022
  • The Kite Runner Flies High and Strong on Broadway July 21, 2022
  • Atlantic Theater’s The Bedwetter Shines Above and Beyond its Shame. I Swear. And So Does This Show. A Lot. July 19, 2022
  • Shakespeare in the Park’s Richard III Fails to Inspire, Even With All Its Groundbreaking Positioning July 11, 2022
  • Stratford Festival’s Chicago Razzle Dazzles Us All, Finally June 30, 2022
  • The Chita Rivera Awards Kick Up Their Heels Once Again June 21, 2022
  • Toronto’s Factory Theatre Magnificently Ignites Paquet’s Wildfire, Most Strong, Bright, and Deliciously Weird June 21, 2022
  • 2ST’s To My Girls Doesn’t Bite Down Hard Enough Where and When It Probably Should June 21, 2022
  • The Halved Too Long/Too Short (But Still Very Magical) Harry Potter Hits Toronto June 20, 2022
  • The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆 June 10, 2022
  • Buddies in Bad Times Queer Pride Fest Arrives, And I Couldn’t Be More Stoked June 9, 2022
  • Soulpepper’s Where The Blood Mixes Swims Strong in the Rough Muddy Currents of our Trauma. June 7, 2022
  • Broadway’s The Little Prince Fails to Fly May 30, 2022
  • Broadway’s POTUS Deliciously Delivers the C-word Hilariously May 27, 2022
  • American Buffalo on Broadway Isn’t Exactly the Charm the Third Time Revived Should Be May 25, 2022
  • LCT Unearths a Fantastically Bizarre Skin Of Our Teeth to Slide Down Into May 24, 2022
  • 2022 Drama League Award Winners May 20, 2022
  • Paradise Square Far Too Earnestly (R)Evolves onto Broadway May 20, 2022
  • Six, The Lehman Trilogy, Kimberly Akimbo Win Big at the 2022 Outer Critics Circle Awards May 20, 2022

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