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Day: October 19, 2026

October 19, 2026October 18, 2026 ross

“Pre-Existing Condition” Finds the Wounds That Time Cannot Close

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Recent Posts

  • “Pre-Existing Condition” Finds the Wounds That Time Cannot Close October 19, 2026
  • “Bitter Christmas” Turns the Origin of Creation Into a Beautiful, Layered Act of Betrayal October 18, 2026
  • Tarragon’s “Prophetess” Has a Warning for the Room October 17, 2026
  • “Good Time Charlie” Knows Everyone Loves a One-Act Play October 16, 2026
  • Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run October 15, 2026
  • “ANON: a tempest at our kitchen table” Unleashes Suburban Panic at MCC Theater October 15, 2026
  • Stratford Festival Announces the Acting Company for Its Landmark 75th Season October 14, 2026
  • A24’s “The Debut” Sends a Housewife’s Community Theatre Dreams Gloriously Off the Rails October 13, 2026
  • “Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror October 12, 2026
  • “The Man I Love” and “Ancestors” Find Queer Connection in the Shadow of AIDS October 11, 2026
  • “Club Kid” Finds a Different Kind of High in Unexpected Fatherhood October 10, 2026
  • “Below” and “YAGA” Have Me Wondering What’s Lurking in Canada October 9, 2026
  • “Così fan tutte” Has Me Questioning the Wisdom of Testing Love October 8, 2026
  • “Possible Love” Finds the Fault Lines Between Class, Desire, and the Stories We Tell October 7, 2026
  • Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation October 6, 2026
  • “Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity October 5, 2026
  • “Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman October 4, 2026
  • Antonio says, “Give crowns and pounds and guineas- but not your heart away” October 3, 2026
  • “Misty Green” Breaks Your Heart One Bad Decision at a Time October 3, 2026
  • “Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again October 2, 2026
  • Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal October 1, 2026
  • A Young Man Climbs From Beneath the Snowy Silence in “A Long Winter” September 30, 2026
  • “La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company September 29, 2026
  • “To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence September 28, 2026
  • “Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper September 27, 2026
  • “Please Welcome to the Stage…” School of Rock Finds Its Rock Stars at the Grand Theatre September 26, 2026
  • TIFF26: “La Bola Negra” Is a Queer Epic Written Across Time September 25, 2026
  • Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford September 24, 2026
  • TIFF26: “Elsinore” Finds the Fierce Joy of Living in Ian Charleson’s Final Hamlet September 23, 2026
  • Day Eleven at TIFF, and I’m Calling That a Wrap September 22, 2026
  • Day Ten at TIFF, and the Magic Hasn’t Worn Off September 21, 2026
  • TIFF51 Announces Its 2026 People’s Choice Award Winners, and I’m Thrilled September 20, 2026
  • Day Nine at TIFF, Giving My Agenda to the Gods September 20, 2026
  • “Measure for Measure” Is Back on Air, and I’m Pressing Play on My Old Review September 20, 2026
  • Day Eight at TIFF, When the Day Makes the Choices September 19, 2026
  • Day Seven at TIFF, Trusting Where the Day Takes Me September 19, 2026
  • Day Six at TIFF, When Five Films Become a Test of Endurance September 18, 2026
  • “Becoming Hamlet” Gets Lost Inside Its Own Experiment September 18, 2026
  • “Walden” Finds Two Sisters Searching for Something Worth Saving September 17, 2026
  • “A Fine Balance” and “Being Heumann” Put People Inside History September 16, 2026
  • Day Five at TIFF, and the Movies Pack a Punch September 15, 2026
  • Day Four at TIFF, and I Get My Mojo Back  September 14, 2026
  • Day Three at TIFF, and the Right Choice Is to Sleep In September 13, 2026
  • “Dirty Bird” Goes Beautifully Off the Rails September 12, 2026
  • Day Two at #TIFF, and Back in My Seat September 11, 2026
  • split/decision’s “Safe House” Turns a Family Bunker Into a Dangerous Shelter September 10, 2026
  • Day One at TIFF, and a Choice Must Be Made September 10, 2026
  • “Heated Rivalry: The Unauthorized Musical Parody” Knows Exactly Why We’re Here September 9, 2026
  • Antonio says, “Well done! I can see your career rise in the east like the sun.”*  September 8, 2026
  • “Ohio State Murders” Turns Trauma Into a Labyrinth at the Shaw Festival September 7, 2026

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