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Tag: John Ortiz

January 3, 2020January 3, 2020 ross

Halfway Bitches Go Straight to Heaven, with a Stop Midway.

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Recent Posts

  • Soulpepper’s Fierce and Modern Mother’s Daughter Goes to War for the Crown January 24, 2020
  • TFANA’s Timon of Athens Shines Bright Like Unearthed Gold Treasure January 21, 2020
  • Mommy, My Name is Lucy Barton And I’m in Need. January 18, 2020
  • Oscar Nominations 2020 January 14, 2020
  • Public Theater Flies in Under the Radar a Solid Constellations – Asking Us to Look Deep Inside the Details of Engagement January 11, 2020
  • Signature Theatre’s The Young Man From Atlanta Reviewed From Toronto January 7, 2020
  • Halfway Bitches Go Straight to Heaven, with a Stop Midway. January 3, 2020
  • JAVANKA 2020: On The Trail  December 30, 2019
  • Carney’s Sing Street Rocks Joyously and Expertly at NYTW December 29, 2019
  • Does Her Joy Scare You? December 28, 2019
  • My Top Ten Theatrical Experiences of 2019 December 26, 2019
  • Broadway’s Jagged Little Pill Rocks Big and Strong Down Many Roads December 20, 2019
  • The Thin Place is Heavy with Paranormal Dread December 17, 2019
  • The Half-Life of Marie Curie Radiates a Powerful Glow December 16, 2019
  • The New Group’s Cyrano Embraces Beauty over Poetry December 15, 2019
  • Signature Theatre Sets Fires in the Mirror Reflecting Back the Historic Presently December 13, 2019
  • The New Group’s ‘one in two’ Demands Action December 11, 2019
  • Public Theater’s A Bright Room Called Day Wobbles in the Direct Light of Today December 10, 2019
  • The Fascinating St. Ann’s Warehouse’s Keep Surprises in its Delivery of Scheduled Lists December 10, 2019
  • Jake Epstein Puts His Voice to Romantic Good Use in Dear Jack, Dear Louise at Arena Stage December 9, 2019
  • Broadway is Finally Gifted with The Inheritance December 8, 2019
  • National Theatre’s My Brilliant Friend Bravely Climbs Up in Fragments December 7, 2019
  • Franjo: Chilled Out And Ready To Play December 5, 2019
  • Ian McKellen on Stage Sparkles Like a Charitable Wizard of the West End December 2, 2019
  • MCC’s Seared Sizzles Seductively November 28, 2019
  • BAM’s The End of Eddy and St. Ann’s History of Violence Collide and Enliven November 26, 2019
  • Getting It Right in The Play That Goes Wrong November 22, 2019
  • A Christmas Carol Haunts With Cookies and a Feast Delivered from the Heavens November 22, 2019
  • The Great Society Makes History Riveting – Even for Teenagers November 20, 2019
  • Two Stars Rise Up to Queen Status Playing Different Types of Royalty: Tina and Evita November 18, 2019
  • Public Theater’s The Michaels Expands the Rhinebeck Road with Panoramic Dance, Luckily. November 14, 2019
  • The Tank presents BrandoCapote Intriguing my Mind, but not Satisfying my Soul. November 13, 2019
  • Transport Group Drives the Bus Forward with Pride All the Way to Broadbend, Arkansas November 12, 2019
  • MTC’s Be!!a Be!!a Wins Big in Her Losing November 10, 2019
  • For Colored Girls…And Everyone Else at The Public November 7, 2019
  • Tomás Matos Talks Tough About Disney’s Newsies and Feeling Empowered. November 6, 2019
  • The Billie Holiday Project November 5, 2019
  • AFO’s Fractured Monsoon Season Flies Uniquely Into An Adderall Storm November 4, 2019
  • Public’s Soft Power Deserves More Than What The Lightning Thief Won in Battle. November 3, 2019
  • A Woman of the World Played by a Magnificent Woman of the Theatre October 31, 2019
  • CSC’s Macbeth Rushes Forward October 29, 2019
  • The Sound Inside is Quietly More Powerful Than the Loud and Frantic Rose Tattoo October 27, 2019
  • Roundabout Gets Lost on its Way to Scotland, PA October 26, 2019
  • Forbidden Broadway: The Next Generation Sparkles Like a Fake Diamond that Ain’t Too Proud to be Rude and Witty October 24, 2019
  • Say Hello To The Coop: Part Two – Andrus Nichols Forms An Inclusionary Theater Company October 23, 2019
  • MCC’s The Wrong Man is on Fire Body and Soul October 22, 2019
  • Steppenwolf and Second Stage Move Us into Linda Vista October 20, 2019
  • Little Shop of Horrors Opens Its Camp Classic Doors Once Again October 18, 2019
  • Say Hello To The Coop: Part One – Barbara Hammond Weighs In On TERRA FIRMA October 15, 2019
  • Kennedy Center Kicks Off Its Sunday Shoes with Footloose October 12, 2019

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