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Tag: playwrights realm

September 20, 2018September 21, 2018 ross

Jonathan Payne’s The Revolving Cycles Roll’d Through the Powerful and Dangerous Oblong.

September 10, 2017September 20, 2017 ross

The Rape of the Sabine Women by Grace B. Matthias: A Dark Comedy About R. A. P. E. Culture. 

December 5, 2016December 5, 2016 ross

The Wolves: A Winning Pack of Warriors

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Recent Posts

  • Factory Theatre’s Entertaining Trojan Girls & The Outhouse of Atreus Throws Grease on the Fire for a Greek Tragedy Swing Romp August 9, 2022
  • Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway August 2, 2022
  • The Latest Broadway Revival of Into the Woods Climbs Way Up High, Even Higher than Before. July 28, 2022
  • Between the Lines Skips Along in a Wicked-ly Fun Way, Yet Taking the Long Way Home July 25, 2022
  • The Kite Runner Flies High and Strong on Broadway July 21, 2022
  • Atlantic Theater’s The Bedwetter Shines Above and Beyond its Shame. I Swear. And So Does This Show. A Lot. July 19, 2022
  • Shakespeare in the Park’s Richard III Fails to Inspire, Even With All Its Groundbreaking Positioning July 11, 2022
  • Stratford Festival’s Chicago Razzle Dazzles Us All, Finally June 30, 2022
  • The Chita Rivera Awards Kick Up Their Heels Once Again June 21, 2022
  • Toronto’s Factory Theatre Magnificently Ignites Paquet’s Wildfire, Most Strong, Bright, and Deliciously Weird June 21, 2022
  • 2ST’s To My Girls Doesn’t Bite Down Hard Enough Where and When It Probably Should June 21, 2022
  • The Halved Too Long/Too Short (But Still Very Magical) Harry Potter Hits Toronto June 20, 2022
  • The 75th Tony Award Nominations, My Predicitons, And Now the Winners 🏆 June 10, 2022
  • Buddies in Bad Times Queer Pride Fest Arrives, And I Couldn’t Be More Stoked June 9, 2022
  • Soulpepper’s Where The Blood Mixes Swims Strong in the Rough Muddy Currents of our Trauma. June 7, 2022
  • Broadway’s The Little Prince Fails to Fly May 30, 2022
  • Broadway’s POTUS Deliciously Delivers the C-word Hilariously May 27, 2022
  • American Buffalo on Broadway Isn’t Exactly the Charm the Third Time Revived Should Be May 25, 2022
  • LCT Unearths a Fantastically Bizarre Skin Of Our Teeth to Slide Down Into May 24, 2022
  • 2022 Drama League Award Winners May 20, 2022
  • Paradise Square Far Too Earnestly (R)Evolves onto Broadway May 20, 2022
  • Six, The Lehman Trilogy, Kimberly Akimbo Win Big at the 2022 Outer Critics Circle Awards May 20, 2022
  • for colored girls… Gives Broadway a Slice of Captivating Power May 17, 2022
  • The 2022 Drama Desk WINNERS ANNOUNCED May 16, 2022
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  • Take Me Out on Broadway Unpacks Discomfort (But Not Your Phone) Beautifully May 13, 2022
  • New York Drama Critics’ Circle Winners Named May 13, 2022
  • It Takes Three (Companies) For These Two (Sisters) to Act So Powerfully for (She) the One in the Intense Is God Is May 12, 2022
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  • The 2022 Tony Award Nominations May 9, 2022
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  • Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into April 11, 2022
  • Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English April 9, 2022
  • The Human Voice in the West End Connects Even When Disconnection is at its Core March 31, 2022
  • MCC Theater Wins The War with Space Dogs, the Musical March 29, 2022
  • Mike Bartlett’s Cock Stands Up Strong in the West End March 25, 2022
  • The New Group’s Black No More Rushes In and Awkwardly Dances Forward March 20, 2022
  • The Grand’s Room: A Wonderful Evening’s Escape March 18, 2022
  • Audible Theatre’s Long Day’s Journey Into Night Finds Sizzle in its Shortening March 11, 2022
  • Actress/Activist Pooya Mohseni On Her Role In Sanaz Toossi’s ENGLISH – Part 2 March 5, 2022
  • The Long and Intensely Satisfying Prayer for the French Republic March 5, 2022
  • Out of Time at the Public Delivered Crisply In, Wisely Knitted by NAATCO March 1, 2022
  • Broadway’s Revival of The Music Man Entertains Charmingly February 28, 2022

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