February 20, 2024February 21, 2024 ross

NYTW’s “I Love You So Much I Could Die” Asks A Lot From You. Are You Willing?

February 18, 2024February 18, 2024 ross

Two Epic Centerpieces in Two Very Different (and Dynamic) Musical Treatments Revel in Their Magnificence in Toronto: “Dion: A Rock Opera” & “De Profundis: Oscar Wilde in Jail”

February 16, 2024February 17, 2024 ross

A Slew of Personal One-Person Shows Hit Deep in Toronto: “Guilt (A Love Story)” & “As I Must Live It”

February 12, 2024February 12, 2024 ross

Diana Flacks Talks “Guilt” and the Wrestling of it at Tarragon: The Interview

January 27, 2024January 28, 2024 ross

“The Shadow Whose Prey the Hunter Becomes” Elevates the Space Around It at Canadian Stage, Toronto

January 26, 2024January 26, 2024 ross

Theatre Rusticle’s “The Tempest” Energetically Passes the Baton

January 20, 2024January 20, 2024 ross

2ST Broadway Uncovers a Brilliantly Stealth “Appropriate”

December 19, 2023December 19, 2023 ross

“Hell’s Kitchen” is on Fire, Igniting the Genre Masterfully as it Elevates the Girl from The Public to Broadway

December 18, 2023December 18, 2023 ross

A.R.T./NY’s Unemotional “Shadows” Doesn’t Realize Its Goals

December 17, 2023December 17, 2023 ross

Broadway’s “How To Dance in Ohio” – A Sweet Musical that Shines Lightly After a Few Missteps