March 8, 2026 ross

Bear Hugs and Balcony Belting: The WhatsOnStage Awards Crown a Big Night for London Theatre

March 5, 2026 ross

London Calling Again: Olivier Awards Reveal a Season of Scale, Stars, and Standouts

February 18, 2026February 18, 2026 ross

Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust

February 14, 2026February 14, 2026 ross

When One Curtain Falls and Another Rises

January 22, 2026January 21, 2026 ross

Jonathan Bailey, Ariana Grande, and the Sunday That May Send Me Back to London

January 11, 2026January 10, 2026 ross

From Jinkx’s Judy to Erivo’s Dracula: A Theatre Junkie Plots a London May

January 10, 2026January 9, 2026 ross

Pleasure, Pleasure, Pleasure: “The Importance of Being Earnest” Delights the West End

January 9, 2026January 9, 2026 ross

The Clock Ticks, but the Stakes Never Rise: “High Noon” in the West End

January 7, 2026January 7, 2026 ross

Returning to the Edge: “Woman in Mind” and the Comedy That Still Cuts

January 3, 2026January 3, 2026 ross

Guilt Takes Root and Falls Hard in “All My Sons” by Ivo van Hove