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Tag: off broadway musical

June 21, 2022June 21, 2022 ross

The Chita Rivera Awards Kick Up Their Heels Once Again

November 28, 2021November 29, 2021 ross

Off Broadway’s Trevor Stumbles a Bit as the New Musical Comes Out at Stage 42

December 26, 2019December 26, 2019 ross

My Top Ten Theatrical Experiences of 2019

November 18, 2019November 18, 2019 ross

Two Stars Rise Up to Queen Status Playing Different Types of Royalty: Tina and Evita

October 18, 2019October 18, 2019 ross

Little Shop of Horrors Opens Its Camp Classic Doors Once Again

May 6, 2019May 12, 2019 ross

The 2019 Lucille Lortel Award Winners

April 26, 2019May 12, 2019 ross

The 2019 Chita Rivera Award Nominations Announced

April 26, 2018April 26, 2018 ross

Nominees Announced for 8th Annual Off Broadway Alliance Awards

May 9, 2017May 9, 2017 ross

The New York Drama Critics’ Circle Award Winners Announced

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Recent Posts

  • Stratford’s Rent Soars with Scrappy Energy and Talent June 5, 2023
  • Monty Python’s Spamalot Finds its Grail Hilariously at the Stratford Festival 2023 June 2, 2023
  • Stratford Festival’s King Lear 2023 Struggles in the Controlled Column of Rain June 1, 2023
  • The Rage of Narcissus Rages On at Theatre Passe Muraille, Toronto May 21, 2023
  • The Sound Inside Captivates at Toronto’s Coal Mine Theatre May 20, 2023
  • The Chinese Lady on Dynamic Display at Crow’s Theatre, Toronto May 18, 2023
  • Broadway Flies Proud The Sign in Sidney Brustein’s Window as a Rally Cry To Us All May 14, 2023
  • MTC Celebrates Theatrical Royalty in “Summer, 1976” May 11, 2023
  • Doug Wright’s “Good Night, Oscar” Plays Well on the Broadway Stage May 7, 2023
  • City Center Encores! Sings Strong! in an Awkward “Oliver!” May 6, 2023
  • Broadway’s Very Funny “The Thanksgiving Play” Arrives Possibly Just Past Its Best-By Date May 4, 2023
  • The 2023 Tony Award Nominations Announced May 2, 2023
  • 2023 Theatre World Award Winners Announced May 2, 2023
  • The 2023 Drama League Award Winners (and Nominations) Announced May 1, 2023
  • The Non-Magical Lands of LCT’s “Camelot” and Broadway’s “New York, New York” April 30, 2023
  • Broadway’s Singular Sensational “Prima Facie” April 29, 2023
  • 2023 Chita Rivera Award Winners (and Nominations) Announced April 28, 2023
  • “God of Carnage” Too Simply De-evolves into Chaos Superficially April 27, 2023
  • 2023 Drama Desk Award Nominations Announced April 27, 2023
  • “Fat Ham” Glitters Gloriously on Broadway April 26, 2023
  • The 2023 Outer Critics Circle Award Winners are Announced April 26, 2023
  • Broadway Peter Pan Goes Wrong Flies in the Rightest of Ways April 24, 2023
  • Tarragon’s “Paint Me This House of Love” Illuminates the Pain That Can’t Be Hidden With One Coat April 23, 2023
  • A Dutiful and Desirable Summer at Stratford Festival 2023 April 19, 2023
  • Body So Fluorescent Glows Extra Strong and Bright at Buddies Toronto April 18, 2023
  • The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake April 16, 2023
  • The Captivating “Vierge” Vibrates with Spiritual Energy at Factory Theatre Toronto April 15, 2023
  • “How To Defend Yourself” Punches Strong at NYTW April 13, 2023
  • Bob Fosse’s Dancin’ Rides High, But Slowly Loses Its Steam Heat. April 11, 2023
  • The Public’s “The Harder They Come” Dreams Big April 9, 2023
  • “The Hooves Belonged to the Deer” Shoots Wild and True at Toronto’s Tarragon Theatre April 8, 2023
  • Punctuate! Theatre’s “First Métis Man of Odesa” Touches Our Collective Heart Against a Backdrop of War and Disease April 7, 2023
  • Great “Shucked” bests Bad “Bad Cinderella” on Broadway April 4, 2023
  • Sweeney Todd Kills and Eats Up the Competition on Broadway April 2, 2023
  • Broadway’s “Life of Pi” Sails Strong and Magically Over From the West End March 30, 2023
  • Broadway’s Parade, a Masterpiece and Master Class, Not to be Missed. March 28, 2023
  • Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof March 26, 2023
  • The Unpacking of the First Métis Man of Odesa, An Interview March 25, 2023
  • Broadway’s Pictures From Home Remains Unfocused and Flat March 5, 2023
  • Tarragon Theatre Sparkles with the Intense and Captivating “Behind the Moon” March 4, 2023
  • MCC’s Wolf Play Rings Forth the Battle, Playfully and Emotionally March 3, 2023
  • Tarragon Theatre Unleashes a Powerful and Funny Redbone Coonhound March 1, 2023
  • Soulpepper Theatre’s English Speaks Volumes With Humor and Pain February 27, 2023
  • Titanique is Céline “Fu**ing” Dion Unsinkable February 25, 2023
  • Anthony Rapp’s Without You Gets the Rent Right, But Disconnects When it Gets Personal February 25, 2023
  • Leo Reich: Literally Who Cares?! Well, Maybe I do. Most Definitely. February 22, 2023
  • Audible’s Lucy Builds Tension, But to What End? February 21, 2023
  • The Memory of Trees, An Interview February 20, 2023
  • Roundabout’s The Wanderers Does Exactly That, But Fails to Find its Way to the Core February 18, 2023
  • 2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway February 2, 2023

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