November 10, 2024November 10, 2024 ross

“Mama I’m a Big Girl Now!” is Just What the Musical Theatre Junkie Doctor Ordered

November 5, 2024November 5, 2024 ross

Gold’s “Romeo + Juliet” is Connor’s Heartstopping Broadway Moment

October 27, 2024October 27, 2024 ross

Broadway’s “Left on Tenth”: A Sweet Rom-Com Without Much Depth

October 26, 2024October 26, 2024 ross

ALW’s “Sunset Blvd” is Revived Starkly and Intensely Thanks to the Other Lloyd and the Greatest Pussycat Star on Broadway

October 14, 2024June 1, 2025 ross

Spontaneous Theatre Delivers a Sharply Smart and Wickedly Wondrous “Goblin: Macbeth” Hilariously at Toronto’s Tarragon Theatre

September 30, 2024October 1, 2024 ross

Montreal’s Centaur Theatre Builds Dynamic and Humorous Spaces to Unpack the Roots of “Sakura – After Chekhov”

September 25, 2024September 25, 2024 ross

Arlekin Players’ Unpacks History and Violence, Lesson by Lesson, in the Compelling “Our Class”

June 25, 2024June 25, 2024 ross

The 2024 Winners of TAPA’s Dora Awards

June 16, 2024June 16, 2024 ross

Jamie Lloyd’s “Romeo & Juliet” in the West End Finds Unparalleled Amplification in its Microphoned Words and Limited Movements

June 2, 2024June 2, 2024 ross

Ibsen’s “Hedda Gabler” and Shakespeare’s “Cymbeline”: Illuminated Majestically at the Stratford Festival 2024