September 20, 2025September 20, 2025 ross

Swipe, Refresh, Repent: Inside the Addictive Pull of Dave Malloy’s Skillfully Harmonizing “Octet”

September 18, 2025September 18, 2025 ross

Lucy Kirkwood’s “The Welkin” Unloads a Not-to-be Missed Fierce Battleground of Misogyny, Motherhood, and Moral Reckoning

August 17, 2025August 17, 2025 ross

Harold Pinter and Soulpepper Play a Wicked Game with their “Old Times” Wild Ride Interpretation

August 11, 2025August 11, 2025 ross

SummerWorks25’s “The Moment” in 4 Unique Dance Beats

August 9, 2025August 8, 2025 ross

Redheaded Stepchild’s “Gaylord” is Queer as Hell—Packing the Briefs with Clever Metaphors and Meaty Ideas

July 26, 2025July 26, 2025 ross

Best of Fringe #2: “David Lynch’s Seinfeld” – A Surreal Bite of Comedy Brilliantly Between a D’oh and a Dilemma

July 22, 2025July 22, 2025 ross

Canadian Stage’s “Romeo and Juliet” Shines like a Dream in High Park due to the Trembling and Cracking of its Strong Leads

July 18, 2025July 18, 2025 ross

The New 2025/26 Season at Factory Theatre Toronto is Here, Ready to Transport!

July 13, 2025July 12, 2025 ross

The 37th Annual Toronto Fringe Festival Announces the 2025 Award Recipients

July 8, 2025July 8, 2025 ross

A Therapeutic Day at the Toronto Fringe Festival with “Jack Goes To Therapy,” “Puzzles,” and “Mathew’s Big Broadway Bash”