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Tag: west end

August 2, 2022August 2, 2022 ross

Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway

March 31, 2022March 31, 2022 ross

The Human Voice in the West End Connects Even When Disconnection is at its Core

March 25, 2022March 26, 2022 ross

Mike Bartlett’s Cock Stands Up Strong in the West End

January 4, 2022January 4, 2022 ross

The Ocean at the End of the Lane Ripples Out Grief and Bravery for All

December 2, 2019December 2, 2019 ross

Ian McKellen on Stage Sparkles Like a Charitable Wizard of the West End

April 8, 2019April 8, 2019 ross

A Theatre Junkies Guide to London Theatre, 2019

December 26, 2018December 26, 2018 ross

Top 20 Theatrical Moments of 2018

December 26, 2018December 25, 2018 ross

Lopez’s The Inheritance: Hands Down a West End Treasure that is a Magnificent Ode to Kushner, Redgrave, and E.M. Forster’s Howards End

November 4, 2018 ross

Gus In London Dissects The Inheritance Part 1 & 2

January 4, 2018 ross

National Theatre’s Follies: A Rotating Middle Aged Crisis Beautifully Losing Her Mind.

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Recent Posts

  • Tarragon Theatre’s Cockroach Powerfully and Intensely Flourishes Against All the Racist Odds of the World September 24, 2022
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  • Factory Theatre’s Entertaining Trojan Girls & The Outhouse of Atreus Throws Grease on the Fire for a Greek Tragedy Swing Romp August 9, 2022
  • Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway August 2, 2022
  • The Latest Broadway Revival of Into the Woods Climbs Way Up High, Even Higher than Before. July 28, 2022
  • Between the Lines Skips Along in a Wicked-ly Fun Way, Yet Taking the Long Way Home July 25, 2022
  • The Kite Runner Flies High and Strong on Broadway July 21, 2022
  • Atlantic Theater’s The Bedwetter Shines Above and Beyond its Shame. I Swear. And So Does This Show. A Lot. July 19, 2022
  • Shakespeare in the Park’s Richard III Fails to Inspire, Even With All Its Groundbreaking Positioning July 11, 2022
  • Stratford Festival’s Chicago Razzle Dazzles Us All, Finally June 30, 2022
  • The Chita Rivera Awards Kick Up Their Heels Once Again June 21, 2022
  • Toronto’s Factory Theatre Magnificently Ignites Paquet’s Wildfire, Most Strong, Bright, and Deliciously Weird June 21, 2022
  • 2ST’s To My Girls Doesn’t Bite Down Hard Enough Where and When It Probably Should June 21, 2022
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  • The 2022 Tony Award Nominations May 9, 2022
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  • The Smell of Death Hillariously Never Really Vanishes for the Hangman on Broadway May 1, 2022
  • Outer Critic Circle Nominations Announced April 26, 2022
  • Two Very Different Memory Plays: How I Learned to Drive and Birthday Candles April 26, 2022
  • Public’s Suffs Majestically Climbs Those Hard Earned Stairs Beautifully April 23, 2022
  • LCT Has Sewn a Lovely Intimate Apparel, But It Might Not Have Been Made to Fit Me April 19, 2022
  • Mint Theater Revitalizes its Celebrated Revival, The Daughter-in-Law For Us All to Dig Into April 11, 2022
  • Atlantic Theater Tests Power and Humor with Toossi’s Extraordinary Play, English April 9, 2022
  • The Human Voice in the West End Connects Even When Disconnection is at its Core March 31, 2022
  • MCC Theater Wins The War with Space Dogs, the Musical March 29, 2022
  • Mike Bartlett’s Cock Stands Up Strong in the West End March 25, 2022
  • The New Group’s Black No More Rushes In and Awkwardly Dances Forward March 20, 2022
  • The Grand’s Room: A Wonderful Evening’s Escape March 18, 2022
  • Audible Theatre’s Long Day’s Journey Into Night Finds Sizzle in its Shortening March 11, 2022

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