November 1, 2023November 1, 2023 ross

Andrew Scott Flies Solo Brilliantly in his One-Man “Vanya” in London’s West End

October 27, 2023October 27, 2023 ross

West End’s Hamnet Engages Openly with Grief and a New Maternal View

October 18, 2023October 18, 2023 ross

Donmar’s Riveting and Intimate Next to Normal

January 8, 2023January 8, 2023 ross

West End’s Best of Enemies Clashes Dynamically, Expertly, and Intelligently

January 6, 2023January 6, 2023 ross

West End’s Great Play, Good

January 1, 2023January 2, 2023 ross

The Best of 2022 On Stage – in NYC, London, and Toronto

December 5, 2022December 25, 2022 ross

“2:22 – A Ghost Story” Creeps Up London’s West End Wonderfully

November 24, 2022November 24, 2022 ross

The Doctor Spins Spectacularly Smart in London’s West End

August 2, 2022August 2, 2022 ross

Reporting and Reviewing & Juliet in the West End, Toronto, and NYC’s Broadway

March 31, 2022March 31, 2022 ross

The Human Voice in the West End Connects Even When Disconnection is at its Core