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Month: April 2015

April 29, 2015April 29, 2015 Loren Moreno

Finding Neverland’s 5 Fatal Flaws

April 27, 2015April 28, 2015 Loren Moreno

Fun Home’s Five Hard Truths

April 27, 2015 ross

Top shows I’d buy tickets for tonight

April 26, 2015 ross

Ross’s Ten Actors that I’m Rooting for on Tony Nomination Morning

April 26, 2015 ross

An Achingly Sad Fun Home

April 25, 2015 Loren Moreno

10 Broadway Stars I’m Rooting for on Tony Nomination Morning

April 24, 2015April 25, 2015 Loren Moreno

12 Reasons to Love An American in Paris

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Recent Posts

  • Ian McKellen on Stage Sparkles Like a Charitable Wizard of the West End December 2, 2019
  • MCC’s Seared Sizzles Seductively November 28, 2019
  • BAM’s The End of Eddy and St. Ann’s History of Violence Collide and Enliven November 26, 2019
  • Getting It Right in The Play That Goes Wrong November 22, 2019
  • A Christmas Carol Haunts With Cookies and a Feast Delivered from the Heavens November 22, 2019
  • The Great Society Makes History Riveting – Even for Teenagers November 20, 2019
  • Two Stars Rise Up to Queen Status Playing Different Types of Royalty: Tina and Evita November 18, 2019
  • Public Theater’s The Michaels Expands the Rhinebeck Road with Panoramic Dance, Luckily. November 14, 2019
  • The Tank presents BrandoCapote Intriguing my Mind, but not Satisfying my Soul. November 13, 2019
  • Transport Group Drives the Bus Forward with Pride All the Way to Broadbend, Arkansas November 12, 2019
  • MTC’s Be!!a Be!!a Wins Big in Her Losing November 10, 2019
  • For Colored Girls…And Everyone Else at The Public November 7, 2019
  • Tomás Matos Talks Tough About Disney’s Newsies and Feeling Empowered. November 6, 2019
  • The Billie Holiday Project November 5, 2019
  • AFO’s Fractured Monsoon Season Flies Uniquely Into An Adderall Storm November 4, 2019
  • Public’s Soft Power Deserves More Than What The Lightning Thief Won in Battle. November 3, 2019
  • A Woman of the World Played by a Magnificent Woman of the Theatre October 31, 2019
  • CSC’s Macbeth Rushes Forward October 29, 2019
  • The Sound Inside is Quietly More Powerful Than the Loud and Frantic Rose Tattoo October 27, 2019
  • Roundabout Gets Lost on its Way to Scotland, PA October 26, 2019
  • Forbidden Broadway: The Next Generation Sparkles Like a Fake Diamond that Ain’t Too Proud to be Rude and Witty October 24, 2019
  • Say Hello To The Coop: Part Two – Andrus Nichols Forms An Inclusionary Theater Company October 23, 2019
  • MCC’s The Wrong Man is on Fire Body and Soul October 22, 2019
  • Steppenwolf and Second Stage Move Us into Linda Vista October 20, 2019
  • Little Shop of Horrors Opens Its Camp Classic Doors Once Again October 18, 2019
  • Say Hello To The Coop: Part One – Barbara Hammond Weighs In On TERRA FIRMA October 15, 2019
  • Kennedy Center Kicks Off Its Sunday Shoes with Footloose October 12, 2019
  • Belting and Chasing Rainbows Center Stage at the Paper Mill Playhouse October 11, 2019
  • ATC’s Sunday on a Saturday with the PH’s Heroes of the Fourth Turning Proudly Shooting in from Above October 9, 2019
  • Slave Play has Broadway Processing Up a Grand Storm of Entanglements October 6, 2019
  • Becoming Nini: The Story of Robyn Hurder’s Audition for Moulin Rouge October 6, 2019
  • Arena Stage’s “Right to be Forgotten” Star John Austin Talks About Not Judging a Book by Its Cover, Digitally. October 3, 2019
  • NYTW’s Expands the Cycle with a Crowded “runboyrun” & a Solidly Finished “In Old Age” October 1, 2019
  • The Flea’s The Invention of Tragedy Confuses the Cats + Dogs September 29, 2019
  • The Height of the Storm – Another Thunderously Stellar West End Import September 27, 2019
  • Bernard Shaw’s Caesar & Cleopatra Swims Along Across Choppy Waters September 27, 2019
  • Rattlestick’s Novenas for a Lost Hospital Flies Like a Butterfly Lovingly Transporting Pain and Loss September 25, 2019
  • 59E59 Theaters’ Fern Hill Never Reaches a Full Real Boil September 22, 2019
  • Derren Brown (has a super fun): Secret September 21, 2019
  • Playwrights Horizons’ Wives Smashes the Status Quo September 20, 2019
  • American Theatre’s Most-Produced Plays 2019 September 20, 2019
  • 59E59’s Only Yesterday Sings Sweet September 18, 2019
  • The Interview: Dimitri Moise Talks About Giving the Public As Much As I Can September 16, 2019
  • Day 4 at TIFF19 – Zellweger Disappears, and ‘Judy’ Storms Into the Spotlight September 16, 2019
  • American Moor Powerfully Projects Forth Wisely September 15, 2019
  • Day 3 at TIFF19 – ‘Hope Gap’ Navigates the Edge with Skill and Sure Footedness September 15, 2019
  • West End’s Betrayal Comes to Broadway September 13, 2019
  • Day 2 at TIFF19 – ‘Clifton Hill’ Shines Bright in Dark and Mysterious Neon September 12, 2019
  • The Interview: Andrea Lynn Green On Being An Artistic Director at GTC September 11, 2019
  • Day 1 at TIFF19 – ‘The Truth’ About ‘Frankie’ September 11, 2019

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