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Day: February 8, 2019

February 8, 2019February 8, 2019 ross

NYCC Encores! Gleefully Dances Out Call Me Madam

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Recent Posts

  • Jake Epstein Puts His Voice to Romantic Good Use in Dear Jack, Dear Louise at Arena Stage December 9, 2019
  • Broadway is Finally Gifted with The Inheritance December 8, 2019
  • National Theatre’s My Brilliant Friend Bravely Climbs Up in Fragments December 7, 2019
  • Franjo: Chilled Out And Ready To Play December 5, 2019
  • Ian McKellen on Stage Sparkles Like a Charitable Wizard of the West End December 2, 2019
  • MCC’s Seared Sizzles Seductively November 28, 2019
  • BAM’s The End of Eddy and St. Ann’s History of Violence Collide and Enliven November 26, 2019
  • Getting It Right in The Play That Goes Wrong November 22, 2019
  • A Christmas Carol Haunts With Cookies and a Feast Delivered from the Heavens November 22, 2019
  • The Great Society Makes History Riveting – Even for Teenagers November 20, 2019
  • Two Stars Rise Up to Queen Status Playing Different Types of Royalty: Tina and Evita November 18, 2019
  • Public Theater’s The Michaels Expands the Rhinebeck Road with Panoramic Dance, Luckily. November 14, 2019
  • The Tank presents BrandoCapote Intriguing my Mind, but not Satisfying my Soul. November 13, 2019
  • Transport Group Drives the Bus Forward with Pride All the Way to Broadbend, Arkansas November 12, 2019
  • MTC’s Be!!a Be!!a Wins Big in Her Losing November 10, 2019
  • For Colored Girls…And Everyone Else at The Public November 7, 2019
  • Tomás Matos Talks Tough About Disney’s Newsies and Feeling Empowered. November 6, 2019
  • The Billie Holiday Project November 5, 2019
  • AFO’s Fractured Monsoon Season Flies Uniquely Into An Adderall Storm November 4, 2019
  • Public’s Soft Power Deserves More Than What The Lightning Thief Won in Battle. November 3, 2019
  • A Woman of the World Played by a Magnificent Woman of the Theatre October 31, 2019
  • CSC’s Macbeth Rushes Forward October 29, 2019
  • The Sound Inside is Quietly More Powerful Than the Loud and Frantic Rose Tattoo October 27, 2019
  • Roundabout Gets Lost on its Way to Scotland, PA October 26, 2019
  • Forbidden Broadway: The Next Generation Sparkles Like a Fake Diamond that Ain’t Too Proud to be Rude and Witty October 24, 2019
  • Say Hello To The Coop: Part Two – Andrus Nichols Forms An Inclusionary Theater Company October 23, 2019
  • MCC’s The Wrong Man is on Fire Body and Soul October 22, 2019
  • Steppenwolf and Second Stage Move Us into Linda Vista October 20, 2019
  • Little Shop of Horrors Opens Its Camp Classic Doors Once Again October 18, 2019
  • Say Hello To The Coop: Part One – Barbara Hammond Weighs In On TERRA FIRMA October 15, 2019
  • Kennedy Center Kicks Off Its Sunday Shoes with Footloose October 12, 2019
  • Belting and Chasing Rainbows Center Stage at the Paper Mill Playhouse October 11, 2019
  • ATC’s Sunday on a Saturday with the PH’s Heroes of the Fourth Turning Proudly Shooting in from Above October 9, 2019
  • Slave Play has Broadway Processing Up a Grand Storm of Entanglements October 6, 2019
  • Becoming Nini: The Story of Robyn Hurder’s Audition for Moulin Rouge October 6, 2019
  • Arena Stage’s “Right to be Forgotten” Star John Austin Talks About Not Judging a Book by Its Cover, Digitally. October 3, 2019
  • NYTW’s Expands the Cycle with a Crowded “runboyrun” & a Solidly Finished “In Old Age” October 1, 2019
  • The Flea’s The Invention of Tragedy Confuses the Cats + Dogs September 29, 2019
  • The Height of the Storm – Another Thunderously Stellar West End Import September 27, 2019
  • Bernard Shaw’s Caesar & Cleopatra Swims Along Across Choppy Waters September 27, 2019
  • Rattlestick’s Novenas for a Lost Hospital Flies Like a Butterfly Lovingly Transporting Pain and Loss September 25, 2019
  • 59E59 Theaters’ Fern Hill Never Reaches a Full Real Boil September 22, 2019
  • Derren Brown (has a super fun): Secret September 21, 2019
  • Playwrights Horizons’ Wives Smashes the Status Quo September 20, 2019
  • American Theatre’s Most-Produced Plays 2019 September 20, 2019
  • 59E59’s Only Yesterday Sings Sweet September 18, 2019
  • The Interview: Dimitri Moise Talks About Giving the Public As Much As I Can September 16, 2019
  • Day 4 at TIFF19 – Zellweger Disappears, and ‘Judy’ Storms Into the Spotlight September 16, 2019
  • American Moor Powerfully Projects Forth Wisely September 15, 2019
  • Day 3 at TIFF19 – ‘Hope Gap’ Navigates the Edge with Skill and Sure Footedness September 15, 2019

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