January 1, 2023January 2, 2023 ross

The Best of 2022 On Stage – in NYC, London, and Toronto

December 27, 2022December 31, 2022 ross

Broadway’s “Ohio State Murders” Fails to Plunge the Knife in Deep

December 25, 2022December 27, 2022 ross

Broadway’s “Some Like It Hot” Sizzles and Soars Most Progressively

December 23, 2022January 19, 2023 ross

“& Juliet”, The New Broadway Musical Roars Strong

December 16, 2022December 25, 2022 ross

Broadway’s “The Piano Lesson” Finds Meaning, Even When Not Every Note Hits True

December 11, 2022December 25, 2022 ross

Broadway’s One-Mays “Christmas Carol”, is Sumptuously Staged, But Lacks an Engaging Middle

December 10, 2022December 25, 2022 ross

“Kimberly Akimbo” Gets Her (and Our) Wish Most Wonderfully on Broadway

December 9, 2022December 25, 2022 ross

Broadway’s “KPOP” Astonishes on the Surface, But Fails to Dig Deep.

December 4, 2022December 4, 2022 ross

Broadway’s Ain’t No Mo’ is Totally Enough

December 2, 2022December 2, 2022 ross

The Lea Michele Revitalized Funny Girl is Finally Balanced and Buoyant