February 19, 2026February 19, 2026 ross

Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances

February 17, 2026February 16, 2026 ross

Two Nights, One Community: Broadway’s Annual Celebrations of Surprise and Storytelling

February 14, 2026February 14, 2026 ross

When One Curtain Falls and Another Rises

February 13, 2026February 11, 2026 ross

Jeremy Jordan Is Taking Over “Just In Time” and Honestly, That Feels Exactly Right

February 1, 2026February 2, 2026 ross

Crowded Stages, Heavyweights, and the Race to the Tonys: Spring 2026 Broadway Openings Worth Watching

January 29, 2026January 27, 2026 ross

The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude

January 17, 2026January 17, 2026 ross

Scratching at Reality: “Bug” and the Seduction of Shared Madness

January 15, 2026January 15, 2026 ross

Meeting The Fantasticks for the First Time—Through a Queer Lens

December 27, 2025December 27, 2025 ross

Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie”

December 26, 2025December 26, 2025 ross

“You Deserve More”: The Spectacular Miscalculation of Broadway’s “The Queen of Versailles”