September 3, 2026September 3, 2026 ross

“Amadeus” Has the Music, but Salieri Never Quite Finds the Fire

September 1, 2026September 1, 2026 ross

Shaw’s “Heartbreak House” Leaves Me Standing at the Door Wanting My Heart Broken

August 30, 2026August 30, 2026 ross

“Saturday, Sunday, Monday” Serves Up a Feast of Love, Jealousy and Avoidance

August 28, 2026August 28, 2026 ross

“The King James Bible Play” Has Some Very Serious Things to Say About Some Very Complicated Words

August 27, 2026August 27, 2026 ross

A Very Personal Return to Ontario’s Shaw Festival, With Some Theatrical Temptations I Can’t Resist

August 20, 2026August 20, 2026 ross

Another Return to Rough Magic: Three More Reasons I Can’t Stay Away from Stratford

August 18, 2026August 18, 2026 ross

In Between Curtains, Stratford Keeps the Conversation Going

August 14, 2026August 15, 2026 ross

When History Lives Inside the Body of “Golden Rez Dog” at SummerWorks Toronto

August 13, 2026August 13, 2026 ross

“Retina Maneuver” at SummerWorks: When Memory Refuses to Stay Still

August 10, 2026August 10, 2026 ross

“Jane Austen’s Northanger Abbey” Finds Gothic Mischief in the Greek Theatre