March 23, 2026March 22, 2026 ross

A Furious Reclamation: “Kill Your Father” Rewrites the Myth of Medea with Fire and Defiance

March 23, 2026March 24, 2026 ross

Too Much Theatre, Not Enough Evenings: Facing the New York City Fringe Festival

February 27, 2026February 27, 2026 ross

Why “Silver Manhattan” Makes Me Wish I Were in New York Right Now

February 21, 2026February 21, 2026 ross

Why “Heated Rivalry: The Unauthorized Musical Parody” Became an Event Before the Puck Even Dropped

February 10, 2026February 10, 2026 ross

The Creatives Most Honoured at the 2026 Obie Awards

January 30, 2026January 31, 2026 ross

Acton Says: Good Heaven’s! “Cimino’s Defeat” at Torn Page

January 26, 2026January 24, 2026 ross

Crowns, Chaos, and Crowd Participation in “Diana: The Untold and Untrue Story”

January 23, 2026January 23, 2026 ross

When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering

December 28, 2025December 27, 2025 ross

Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025

December 10, 2025December 9, 2025 ross

A House That Remembers: Three Ships Collective’s “A Christmas Carol” Returns to Campbell House Alive and Entrancing