March 2, 2026February 28, 2026 ross

A Voice Worth Waiting For: Raúl Esparza Leads “Galileo” Back to Broadway

February 21, 2026February 21, 2026 ross

Why “Heated Rivalry: The Unauthorized Musical Parody” Became an Event Before the Puck Even Dropped

February 19, 2026February 19, 2026 ross

Keep Marching: “Suffs” Expands Its Reach on PBS Great Performances

February 18, 2026February 18, 2026 ross

Across the Atlantic, a Season to Envy: London’s Critics’ Circle Nominations Spark Theatre Wanderlust

February 14, 2026February 14, 2026 ross

When One Curtain Falls and Another Rises

February 13, 2026February 11, 2026 ross

Jeremy Jordan Is Taking Over “Just In Time” and Honestly, That Feels Exactly Right

February 10, 2026February 10, 2026 ross

The Creatives Most Honoured at the 2026 Obie Awards

January 31, 2026January 31, 2026 ross

BEDLAM’s “Music City” Finds a New Home, and a Bigger Honky-Tonk Heart, in Midtown

January 28, 2026January 27, 2026 ross

Vampires, Ballrooms, and Real Risk: Broadway’s New Musical Openings Worth Watching

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”