October 14, 2026October 14, 2026 ross

Stratford Festival Announces the Acting Company for Its Landmark 75th Season

October 12, 2026October 12, 2026 ross

“Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror

October 6, 2026October 6, 2026 ross

Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation

October 5, 2026 ross

“Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity

October 1, 2026October 1, 2026 ross

Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal

September 28, 2026September 28, 2026 ross

“To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence

September 24, 2026September 24, 2026 ross

Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford

September 16, 2026October 15, 2026 ross

“A Fine Balance” and “Being Heumann” Put People Inside History

September 12, 2026September 12, 2026 ross

“Dirty Bird” Goes Beautifully Off the Rails

September 10, 2026September 9, 2026 ross

split/decision’s “Safe House” Turns a Family Bunker Into a Dangerous Shelter