April 7, 2026April 7, 2026 ross

Power, Politics, and Personal Fractures in Roundabout’s “Chinese Republicans”

April 5, 2026April 5, 2026 ross

Power in Plain Passive Sight: “Public Charge” Finds Its Drama in the Work of Governing

April 2, 2026 ross

It Starts with a List: The Lucille Lortel Nominations Signal New York’s Awards Season Has Begun

March 31, 2026March 31, 2026 ross

Memory in Motion: “Gotta Dance!” Brings Broadway’s Choreographic History to Life

March 31, 2026March 31, 2026 ross

Acton Says: Into the Darger Zone

March 24, 2026March 24, 2026 ross

BEDLAM’s Music City Hits Pause Just Before Its Next Act

March 22, 2026March 22, 2026 ross

Learning How to Fight, Learning How to Stay: “The Monsters” Turns Combat Into Connection

March 19, 2026March 19, 2026 ross

Holding the Silence: Ethan Slater’s Marceau Turns Imagination Into Survival

March 18, 2026March 18, 2026 ross

Three Shows, One Night: March 18 Is Shaping Up to Be a Theatre Lover’s Dream

March 17, 2026March 17, 2026 ross

A Mind Like a River: Jake Brasch’s “The Reservoir” Overflows with Wit and Heart at Atlantic Theater Company