January 19, 2026January 18, 2026 ross

Breath Held: History, Guilt, and Reckoning in Irish Rep’s “The Honey Trap”

January 16, 2026January 16, 2026 ross

Lost to the Rock: Ambition, Mystery, and the Overcrowded Limits of “Picnic at Hanging Rock”

January 14, 2026January 14, 2026 ross

“The 25th Annual Putnam County Spelling Bee” Finds Its Correct Way Straight to the Heart

January 13, 2026January 12, 2026 ross

Anchored in Joy: NYGASP’s “H.M.S. Pinafore” Sails with Love and Laughter

January 12, 2026January 11, 2026 ross

When the Rhyme Bites Back: “Tartuffe” at New York Theatre Workshop

December 28, 2025December 27, 2025 ross

Acton Says: Heroes and Vaudevillians at Puppet Parlor 2025

December 27, 2025December 27, 2025 ross

Misogyny, Memory, and the Ocean’s Pull on Board O’Neill’s “Anna Christie”

December 24, 2025December 24, 2025 ross

“Does It Hurt?” Love and Injury in Off-Broadway’s “Gruesome Playground Injuries”

December 21, 2025December 21, 2025 ross

When the Past Outshines the Future: “This World of Tomorrow” at The Shed

December 20, 2025December 20, 2025 ross

Crowned and Caged: “Richard II” as Erotic Reckoning