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Category: opera/dance

October 30, 2026October 31, 2026 ross

“Tales of the Damned” Turns Campbell House Into a Deliciously Wicked Halloween Nightmare

October 8, 2026October 8, 2026 ross

“Così fan tutte” Has Me Questioning the Wisdom of Testing Love

September 29, 2026September 29, 2026 ross

“La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company

August 14, 2026August 15, 2026 ross

When History Lives Inside the Body of “Golden Rez Dog” at SummerWorks Toronto

August 5, 2026August 5, 2026 ross

SummerWorks is Here, and I’m Ready to Dive In

June 29, 2026June 29, 2026 ross

Toronto Theatre Celebrates Another Extraordinary Season at the 2026 Dora Awards

June 15, 2026 ross

BAM Unveils a Bold and Boundary-Breaking 2026 Fall Next Wave Season

June 1, 2026May 31, 2026 ross

Toronto Theatre Takes Centre Stage as the 2026 Dora Award Nominations Are Announced

May 19, 2026May 19, 2026 ross

Dancing at the Centre: “Schmigadoon!” Leads the 2026 Chita Rivera Awards

May 2, 2026May 2, 2026 ross

“Masquerade” Invites Us Into the Shadows of the Opera House

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Recent Posts

  • “Dracula: A Comedy of Terrors” Gives the Grand a Bloody Good Time October 31, 2026
  • “Tales of the Damned” Turns Campbell House Into a Deliciously Wicked Halloween Nightmare October 30, 2026
  • “Rent” Still Has My Heart, Thirty Years Later October 29, 2026
  • Antonio Says, “Degenerates” Finds a Dangerous Divide Between Loneliness and Hate October 28, 2026
  • “Coward” Finds a Fragile Love in the Shadow of the First World War October 27, 2026
  • The Shaw Festival Comes to Toronto’s Waterfront, and I’m Already Kicking Myself About Missing “Sleuth” October 26, 2026
  • “The Beloved” Turns a Father-Daughter Reunion into a Brutal Exercise in Artistic Control October 25, 2026
  • “Sunburn” Finds Poetry in a Sweltering Toronto Summer October 24, 2026
  • “YAGA,” “Possible Love,” and “A Talent for Murder” Bring TIFF 2026 to Toronto Screens October 23, 2026
  • “A Talent for Murder” Plays a Dangerous Game with Patricia Highsmith and Tom Ripley October 23, 2026
  • “Downstate” Finally Arrives on Broadway Tonight, and I’m Ready to Enter That Difficult House Again October 22, 2026
  • “Atonement” Searches for Forgiveness in the Wreckage of War October 22, 2026
  • “Kramer/Fauci” Turns a 1993 AIDS Debate Into Electrifying Theatre October 21, 2026
  • “2:22 – A Ghost Story” Is Coming to Off-Broadway, and I’m Already Watching that Damn Clock October 20, 2026
  • “Pre-Existing Condition” Finds the Wounds That Time Cannot Close October 19, 2026
  • “Bitter Christmas” Turns the Origin of Creation Into a Beautiful, Layered Act of Betrayal October 18, 2026
  • Tarragon’s “Prophetess” Has a Warning for the Room October 17, 2026
  • “Good Time Charlie” Knows Everyone Loves a One-Act Play October 16, 2026
  • Crow’s “A Fine Balance” Heads to Soulpepper After Record-Breaking Run October 15, 2026
  • “ANON: a tempest at our kitchen table” Unleashes Suburban Panic at MCC Theater October 15, 2026
  • Stratford Festival Announces the Acting Company for Its Landmark 75th Season October 14, 2026
  • A24’s “The Debut” Sends a Housewife’s Community Theatre Dreams Gloriously Off the Rails October 13, 2026
  • “Paranormal Activity” Turns Broadway Into a Playground for Theatrical Terror October 12, 2026
  • “The Man I Love” and “Ancestors” Find Queer Connection in the Shadow of AIDS October 11, 2026
  • “Club Kid” Finds a Different Kind of High in Unexpected Fatherhood October 10, 2026
  • “Below” and “YAGA” Have Me Wondering What’s Lurking in Canada October 9, 2026
  • “Così fan tutte” Has Me Questioning the Wisdom of Testing Love October 8, 2026
  • “Possible Love” Finds the Fault Lines Between Class, Desire, and the Stories We Tell October 7, 2026
  • Antonio Says, “It Is in Pardoning That We Are Pardoned”*: How Shakespeare Turns Theatre Into a Testimony of Salvation October 6, 2026
  • “Bootycandy” Takes a Wild, Wicked Tighty-Whitey Ride Through Black Queer Identity October 5, 2026
  • “Wine in the Wilderness” Turns an Artist’s Loft Into a Reckoning Over Who Gets to Define a Black Woman October 4, 2026
  • Antonio says, “Give crowns and pounds and guineas- but not your heart away” October 3, 2026
  • “Misty Green” Breaks Your Heart One Bad Decision at a Time October 3, 2026
  • “Tales of the Damned” Returns to Campbell House to Haunt Toronto All Over Again October 2, 2026
  • Stakes & Embers’ “Aye Caesar” Asks for a Disconcerting Level of Consent, Then Takes Us Somewhere Much More Personal October 1, 2026
  • A Young Man Climbs From Beneath the Snowy Silence in “A Long Winter” September 30, 2026
  • “La Traviata” Has Me Having a Very “Pretty Woman” Moment at the Canadian Opera Company September 29, 2026
  • “To a Flame” Sets Gothic Horror Ablaze with Women, Shadows and Silence September 28, 2026
  • “Spring Awakening,” the Play, Crackles with Desire, Rebellion and Shame at Soulpepper September 27, 2026
  • “Please Welcome to the Stage…” School of Rock Finds Its Rock Stars at the Grand Theatre September 26, 2026
  • TIFF26: “La Bola Negra” Is a Queer Epic Written Across Time September 25, 2026
  • Stratford Festival Unveils Its 75th Season, and I’m Already Curious About Jonathan Church’s Stratford September 24, 2026
  • TIFF26: “Elsinore” Finds the Fierce Joy of Living in Ian Charleson’s Final Hamlet September 23, 2026
  • Day Eleven at TIFF, and I’m Calling That a Wrap September 22, 2026
  • Day Ten at TIFF, and the Magic Hasn’t Worn Off September 21, 2026
  • TIFF51 Announces Its 2026 People’s Choice Award Winners, and I’m Thrilled September 20, 2026
  • Day Nine at TIFF, Giving My Agenda to the Gods September 20, 2026
  • “Measure for Measure” Is Back on Air, and I’m Pressing Play on My Old Review September 20, 2026
  • Day Eight at TIFF, When the Day Makes the Choices September 19, 2026
  • Day Seven at TIFF, Trusting Where the Day Takes Me September 19, 2026

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