February 14, 2026February 14, 2026 ross

When One Curtain Falls and Another Rises

February 12, 2026February 12, 2026 ross

Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto

February 11, 2026February 7, 2026 ross

The Interview: A Life in the Work: Robyne Parrish Comes Home to Leadership as Arrowrock Lyceum Theatre’s new Artistic Director

February 7, 2026February 5, 2026 ross

The Interview: Gabriella Sundar Singh and the Solitude of Witness

February 6, 2026February 6, 2026 ross

The Interview: Sitting in Discomfort as a Tool: Steven Hao on Directing Mike Bartlett’s “An Intervention”

February 4, 2026February 5, 2026 ross

The Power of Remembering: The Interview

February 3, 2026February 2, 2026 ross

Rhubarb! 47 Returns to Buddies in Bad Times with Hybrid Creatures, Unhinged Experiments, and One-Time-Only Work

January 29, 2026January 27, 2026 ross

The Interview: A Tony, a Trumpet, and a Whole Lot of Attitude

January 27, 2026January 27, 2026 ross

The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection

January 25, 2026January 25, 2026 ross

Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”