October 23, 2025October 22, 2025 ross

TIFF50: The Quiet Radicalism of “Between Dreams and Hope” / “Miane Roya Va Omid”

October 22, 2025October 21, 2025 ross

Dublin Theatre Festival’s “The Boy” at the Abbey Theatre: Myth, Madness, and the Weight of the Divine

October 21, 2025October 22, 2025 ross

Spontaneous Theatre’s “Goblin:Oedipus” at the Stratford Festival: Tricksters, Truths, and the Theatre of Chaos

October 20, 2025October 20, 2025 ross

The Grand Theatre’s “The Play That Goes Wrong”: Still Hilariously Right

October 19, 2025October 18, 2025 ross

“Bremen Town” at Tarragon Theatre: Fragments of Faith and Fury on a Fragile Fairy Tale Journey Home

October 18, 2025October 18, 2025 ross

The Gate’s “Poor”: Cycles of Pain, Acts of Seeing, and the Grace of Survival at the Dublin Theatre Festival

October 17, 2025October 17, 2025 ross

Beautiful & Frustrating Monsters: “Hedda” and “Two Pianos” at TIFF50

October 15, 2025October 15, 2025 ross

TIFF50: “Peak Everything”: How to Fall in Love While the World Ends

October 14, 2025October 14, 2025 ross

“Cats: The Jellicle Ball” Returns to Broadway & “Cats” Goes to Regent’s Park— Two Invitations You Can’t Refuse

October 13, 2025October 13, 2025 ross

Combative Conditional Love and the Courage to Confront: Inside MCC’s “Caroline”