October 3, 2025October 3, 2025 ross

NYTW Preaches A Glorious Gospel Gathering of Love and Defiance with “Saturday Church”

October 2, 2025October 1, 2025 ross

Stratford Festival’s Next Artistic Director Announced

October 1, 2025October 1, 2025 ross

“House of McQueen”: A Stylish but Neat Hemline Where a Raw Cut Was Desired

September 30, 2025September 30, 2025 ross

The Public Theater’s “The Other Americans” Sharply Spins Family Ties and Cultural Tensions

September 29, 2025September 29, 2025 ross

At TIFF50, Guillermo del Toro’s “Frankenstein” Is a Glorious Gothic Opera of Grief and Creation

September 27, 2025 ross

Crossing “The Green Line”: Love and Survival Amid Beirut’s Divide

September 26, 2025September 26, 2025 ross

Power, Desire, and the Tango Dance of Queer History in TPM’s “Butch/Femme”

September 26, 2025September 25, 2025 ross

Breaking the Rules and Creating a Movement: “Lilith Fair: Building a Mystery” at TIFF50

September 25, 2025September 25, 2025 ross

High School Project Strikes Gold and High Grades with “Newsies” at the Grand Theatre

September 24, 2025September 23, 2025 ross

Komasa’s “Good Boy” at TIFF: A Darkly Twisted Tale of Capture and Catharsis