March 7, 2026March 7, 2026 ross

Two Songs at Once Arguing Outside the Door: “The Surrogate” Wrestles with the Politics of Parenthood

February 22, 2026February 22, 2026 ross

Missing the Opening of “Little Willy” at Canadian Stage

February 12, 2026February 12, 2026 ross

Fiddler on the Roof in Yiddish Brings Its Quiet Revelation to Toronto

February 7, 2026February 5, 2026 ross

The Interview: Gabriella Sundar Singh and the Solitude of Witness

February 6, 2026February 6, 2026 ross

The Interview: Sitting in Discomfort as a Tool: Steven Hao on Directing Mike Bartlett’s “An Intervention”

February 3, 2026February 2, 2026 ross

Rhubarb! 47 Returns to Buddies in Bad Times with Hybrid Creatures, Unhinged Experiments, and One-Time-Only Work

January 27, 2026January 27, 2026 ross

The Grand Theatre’s “Primary Trust” Finds Grace in Loneliness and Connection

January 25, 2026January 25, 2026 ross

Hailey Gillis Captivates in Canadian Stage’s Tense and Revelatory “A Doll’s House”

January 23, 2026January 23, 2026 ross

When “Make Banana Cry” Leaves You Waiting, Watching, and Wondering

January 20, 2026January 19, 2026 ross

A Table, a Knock, and a Thousand Spirits in “Pu Songling: Strange Tales”