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September 18, 2024September 20, 2024 ross

Out of the Box Theatrics’ “See What I Wanna See” Delivers Brilliant Vocals Sharing Differing Perspectives

September 15, 2024September 15, 2024 ross

Luca Guadagnino’s “Queer”: A Wild, Twisted, & Unexpected Ride to Self Discovery and Drunken Love

September 13, 2024September 13, 2024 ross

Crow’s Theatre’s “Rosmersholm” Revels in its Parallel Radicalism and Grief

September 11, 2024September 11, 2024 ross

Coal Mine Theatre’s “Infinite Life” Throbs With Stellar Performances and Layered Responses to Pain

September 8, 2024September 8, 2024 ross

R.T. Thorne’s Powerful “40 Acres” Ushers Me Magnificently into TIFF24

September 7, 2024September 7, 2024 ross

Shaw Festival’s “The Orphan of Chao” Sharply Delivers Revenge Brilliantly (in a quick 50min.)

September 6, 2024September 6, 2024 ross

Stratford Festival Flows with their Adaptation of Margaret Laurence’s “The Diviners”

September 5, 2024September 11, 2024 ross

My TIFF (now) 10-Film Experience 2024

September 4, 2024September 4, 2024 ross

Toronto Rocks Forth With a Heartfelt “Hedwig and the Angry Inch”

September 3, 2024September 3, 2024 ross

Stratford Festival Hilariously Drags in Taboos and Tension With “The Goat, or Who is Sylvia?”