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December 28, 2018December 28, 2018 ross

My Family and I Return to Mary Poppins Returns

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Recent Posts

  • Winter Miller’s No One is Forgotten Imprisons Our Soul July 19, 2019
  • We’re Only Alive For a Short Time Flies High On The Wings of a Rare Bird July 15, 2019
  • Life Sucks, But Does This Play? July 13, 2019
  • Encores! Off-Center Shuffles the Deck with Promenade July 11, 2019
  • Encores! Off-Center Is “Working” Wonders July 3, 2019
  • Atlantic Theater’s The Secret Life of Bees Buzzes Beautifully Around My Head so Sweetly July 1, 2019
  • The Shed’s Dragon Spring Phoenix Rise Stumbles Up High on its Dialogue June 28, 2019
  • PH’s A Strange Loop Circles Brilliantly Around with Finality June 25, 2019
  • Shakespeare in the Park’s Much Ado About Nothing is Pretty Much Everything. June 24, 2019
  • Kate Hamill’s Little Women Pleases without Putting a Feisty Ring on it. June 23, 2019
  • TFANA’s Fairview Forces Forward Surprise and Discomfort Fantastically June 19, 2019
  • Second Stage’s Dying City Needs Some Resuscitation June 18, 2019
  • Brits Off-Broadway’s Square Go Runs Circles Around the Competition June 16, 2019
  • 59E59 Theater’s Handbagged is Overstuffed but Intriguing June 13, 2019
  • Frankie and Johnny Basks in the Clair de Lune’s Determined and Frightening Moonlight June 12, 2019
  • Unmaking Toulouse-Lautrec Needs a Bit of Reconstructive Surgery June 9, 2019
  • Paper Mill’s Beauty and the Beast Should Be Seen Through The Eyes of a Child. June 4, 2019
  • 2019 Tony Winners, Nominations, and my (pretty accurate) Predictions. June 4, 2019
  • Octet Harmonizes Spectacularly the Demon of Technology June 2, 2019
  • Happy Talk Deflates But Ireland Floats Up High May 27, 2019
  • The Wild Energy of School Girls Explodes Inside Mac Beth May 25, 2019
  • Caroline’s Kitchen Burns Up at 59E59 May 23, 2019
  • As the Fridge Hums, So Does Curse of the Starving Class at Signature May 21, 2019
  • The 2019 Chita Rivera Award Winners Announced May 20, 2019
  • Cherry Lane Theatre Gives Us Some Solid Original Sound to See and Hear May 19, 2019
  • safeword. serves up titillation undercooked and awkward May 17, 2019
  • 17 Border Crossings Flies Above the Walls May 16, 2019
  • The Pink Unicorn Leads Us Forward Through the Darkness into the Light May 15, 2019
  • The Public’s Socrates Speechifies with Challenged Splendor May 13, 2019
  • 2019 Outer Critics Circle Award Winners Announced – Hadestown Wins Big May 13, 2019
  • Ain’t Too Proud Sings a Straight Forward Historical Motown Tune Beautifully May 12, 2019
  • Gary A Sequel to Titus Andronicus Slays Big Time May 12, 2019
  • Be More and More Chill on Broadway, Please. May 9, 2019
  • Hillary and Clinton: A Brilliant Alternate Middle on a Planet Far Far Away May 8, 2019
  • The 2019 Lucille Lortel Award Winners May 6, 2019
  • Tootsie The Musical: What She’s Selling, Most Joyfully, I’m Buying May 6, 2019
  • Manhattan Theatre Club’s INK is an All CAP Kinda Wonderful British Adventure May 4, 2019
  • The Theatre World Awards Announced May 4, 2019
  • A Global Statement About All My Sons Stumbles May 1, 2019
  • The Shed’s Norma Jeane Baker of Troy Layers One on Top of the Other with Talented Focus April 29, 2019
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  • A Star Studded Tommy Scores at the Kennedy Center April 27, 2019
  • The 2019 Chita Rivera Award Nominations Announced April 26, 2019
  • Hadestown Hits Hot and High Way Down Below Magnificently April 26, 2019
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  • The 2019 Drama Desk Award Nominations, Predictions, and Winners April 25, 2019
  • The Public’s White Noise at a Powerfully Electric High Volume April 25, 2019
  • The Interview Alex Ringler Dishes on A CHORUS LINE April 24, 2019
  • The Pain of my Belligerence, a Great First Date with Halley April 23, 2019
  • The Outer Critics Circle Award Nominations 2019 Announced April 23, 2019

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